{"title":"JHS","description":"\u003cdiv class=\"threecol-two\"\u003e\n\u003cp\u003eAbout Josh and JHS Pedals….\u003c\/p\u003e\n\u003cp\u003eJHS Pedals is the result of Josh Scott’s desire to build quality effects pedals that stand out in an over-saturated market. Started in early 2007 by way of a DIY repair to a Boss Blues Driver, JHS Pedals has evolved into an effects pedal company recognized world-wide. Josh’s years of touring and session work along with eventual electronics tinkering bring the experience and knowledge of what musicians need and want in their rigs, and that is one of the core values that JHS was built upon.\u003c\/p\u003e\n\u003cp\u003eAt their current size, it takes between 20-25 employees to provide an excellent quality of production, administration, and customer service. They proudly pay “living wages” or better to every employee at JHS Pedals all while maintaining 100% of JHS Pedals production in the USA. Every single JHS Pedal, JHS Mod, and JHS hand painted pedal is assembled, tested, and shipped from their facility in south Kansas City USA. All JHS Pedals PCBs always have been and continue to be populated exclusively in the USA in one of three locations… Kansas City, southern California, and Michigan. Their enclosures are drilled and powder coated by Mammoth Electronics in Oklahoma and they print all their graphics onto their enclosures in-house at their Kansas City facility.\u003c\/p\u003e\n\u003cp\u003eWith a complete electric guitar, bass guitar, utility, and Mod Shop, JHS Pedals offers one of the broadest lines of effects on the market today. They value and commit to designing, populating, and assembling pedals that sound excellent, are easy to use, and work correctly.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"threecol-one last\"\u003e\u003c\/div\u003e","products":[{"product_id":"jhs-at","title":"JHS AT+ Distortion","description":"\u003cp\u003eIn 2016 we brought you the AT, Andy Timmons artist signature pedal and we're really proud to bring you the next iteration of this phenomenal stomp box, The AT+.\u003c\/p\u003e\n\u003cp\u003eThe JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. Through going back and forth and tailoring it to Andy’s tastes, the “@“ was born and eventually released into production in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the AT+ sound the same as the original AT?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes!  The drive channel of the AT+ is identical to our original AT pedal.  No changes were made whatsoever and the controls remain the same.   They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright\/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTwo channels are better than one!  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eNew to the AT+ is an independent foot-switchable Boost...essentially creating a second channel and gain stage for the pedal.  The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more.  Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYou can safely run “The AT“ at 18 or 9 volts.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eDemo Videos\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"1263\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/TSNSFG-26ao\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/K9c_cIcULsI\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/x37TvR0owP0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2HMd-1H6aq4\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1oyzlMmEXDE\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":3221900197909,"sku":"650415211999","price":328.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/AT_Edited_1.jpg?v=1527383345"},{"product_id":"jhs-the-kilt-v2","title":"JHS The Kilt V2","description":"\u003cul class=\"a-unordered-list a-vertical a-spacing-none\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eCompact and versatile tone-machine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eWhen both toggles are down, you are in the lightest gain setting, amp-like chimney breakup\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eG1 flipped up adds a touch of drive for more riffy grit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eG2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eBoth toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz\/distortion that will cut through anything\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e______________________________________________________________________________\u003c\/p\u003e\n\u003cp\u003eWhen the opportunity to work with StuG came about (legendary guitarist, writer, producer, and founding member of UK band Delirious) we couldn’t pass it up. Right out of the gate Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and for the V2 we have refined it to be a compact and versatile tone-machine.\u003c\/p\u003e\n\u003cp\u003eThe Kilt V2 still has the fantastic circuit at the heart of the version one: a heavily tweaked Expandora style dirt box that gives you more tonal options than you might ever be able to use. We use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original Expandora. Then there are three toggles that enhance the tweak-ability even further. The cut\/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different than your normal diode clipping selectors that you commonly see on drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz\/distortion and everything found in-between.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e– When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup.\u003c\/p\u003e\n\u003cp\u003e– G1 flipped up adds a touch of drive for more riffy grit.\u003c\/p\u003e\n\u003cp\u003e– G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones.\u003c\/p\u003e\n\u003cp\u003e– Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz\/distortion that will cut through anything.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFor the V2 we have added the ability to switch the G2 toggle with a Red Remote! This gives you the ability to flip into heavy overdrive or fuzz with a footswitch on the fly, making the V2 just as versatile as the V1 but more compact.\u003c\/p\u003e\n\u003cp\u003eSo put on your Kilt and raise a pint to rock and roll!\u003c\/p\u003e\n\u003ch3\u003eDEMO VIDEOS\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/IIwqBafpjYE\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/0E9SQC-Y2yY\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/cFlQPegK6Q4\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/P3LZOxyKWto\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/DU8tk5WvPtU\" frameborder=\"0\" gesture=\"media\" allow=\"encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/dYvhiLGYtZk\" frameborder=\"0\" gesture=\"media\" allow=\"encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":3222406397973,"sku":"650415211807","price":298.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/The_Kilt_Edited_1.jpg?v=1527383358"},{"product_id":"jhs-morning-glory-v4","title":"JHS Morning Glory V4 Bluesbreaker","description":"\u003cul class=\"a-unordered-list a-vertical a-spacing-none\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eGain control sweeps from completely clean to rock ‘n’ roll\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eIncreased headroom and output for use as a full-frequency boost\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003ePlug in your JHS Red Remote for switching between the two voices with the tap of your toe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eHandy LED changes from blue to red, indicating the status of the boost circuit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eStandard 9V DC Negative power, consumes less than 100mA\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e__________________________________________________________________________\u003c\/p\u003e\n\u003cp\u003eThe Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use your Morning Glory. When you want to boost a crunchy tone into thicker sustain, use your Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use your Morning Glory. When you need to switch between two gain levels on the fly...you get the idea.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTruly Transparent Tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone. So just plug into our Morning Glory overdrive for yourself. Then you’ll understand.\u003c\/p\u003e\n\u003cp\u003e- Gain control sweeps from completely clean to rock ‘n’ roll\u003cbr\u003e- Tame high end on brighter rigs with the side-mounted bright-cut switch\u003cbr\u003e- Increased headroom and output for use as a full-frequency boost\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn-the-fly Versatility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.\u003c\/p\u003e\n\u003cp\u003e- Switch to a more powerful sound with enhanced low end and grit\u003cbr\u003e- Plug in your JHS Red Remote for switching between the two voices with the tap of your toe\u003cbr\u003e- Handy LED changes from blue to red, indicating the status of the boost circuit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eV1 = bigger white enclosure with black knobs; no bright-cut switch; no logo.\u003cbr\u003eV2 = changed to smaller current enclosure; gold powder coat color.\u003cbr\u003eV3 = bright-cut toggle added.\u003cbr\u003eV4 = 2x more headroom; Gain toggle added; Red Remote system added.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":3222819012629,"sku":"650415210756","price":298.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Morning_Glory_edited_1.jpg?v=1527383351"},{"product_id":"jhs-muffuletta-distortion-fuzz","title":"JHS Muffuletta (Distortion \/ Fuzz)","description":"\u003cul class=\"a-unordered-list a-vertical a-spacing-none\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eControls for volume, sustain and tone, and version selector\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eAll-analog re-created tones\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eVersion selector lets you choose from 5 tones inspired by classic Big Muffs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eAlso includes JHS-exclusive tone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eStandard 9V DC Negative power, consumes less than 100mA\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e_______________________________________________________________________________\u003c\/p\u003e\n\u003cdiv class=\"wpsc_description\"\u003e\n\u003cp\u003eThe Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king. With the Muffuletta, our indecision is your gain. We crammed five all-analog re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFive tones inspired by these classic Big Muffs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- JHS - \"2015\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful and less compressed, with a more haunting midrange. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- ‘73 Rams Head - “1973-1977 V2”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ‘73 Rams Head gets its name for the strange little face that appears on the lower right corner of the original pedal. It is best known for having a scooped midrange, less gain, and being darker.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Triangle - “1969-1970 V1”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Triangle Muff is so named for the triangle arrangement of the knobs. It boasts more low-end response while being more articulate.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Santana, David Gilmour's Pete Cornish-made pedalboards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Pi - “1977-1978 V3”\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAn instantly recognizable red Pi symbol gives this pedal its moniker. This is not to be confused with the later redesigned NYC version released in 2000. It features a more aggressive sound.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users:\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e \u003cem\u003eFrank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townshend (The Who).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Russian - \"1999-2009 V8”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Russian Muff is named by the “Made in Russia” text found on the back of the pedals. It sports less clarity and less low end than other models. A great garage-type sound.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- The Civil War - “1991-1993 V7”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe old-style Civil War-era font and navy and gray colors found on these pedals’ enclosures dictate their name. They are best known for having more midrange and having a brighter overall tone with less gain.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFamous users: Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills, and Peter Buck (REM).\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4\u003eWith a pedal so stuffed with tasty tones you will have a hard time needing anything else to curb your appetite.\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"I want to give a massive thank you to my good friend Jon Cusack and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.cusackmusic.com\/\" target=\"_blank\"\u003eCusack Music\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor helping this hefty idea be fully realized. Jon you are a wizard of circuitry and a deep well of design knowledge to the things that are over my head – Josh\"\u003c\/p\u003e\n\u003ch3\u003eVIDEOS\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/lK1BLH-KkT0?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Nxv-1fN5MFE?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/InonReoMZBk?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/S6DfuqWTFLw?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/iHd2NmggxpM?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/LFoZXuGfG_0?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hNyg4m3aEf4?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/2VIprUfsTY0?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/olxB_YIKcws?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/RakB_3VXKN0?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/P9DRGREa_jY?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/y7h-GEgnB0E?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/4PQehYuURSo?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/-fbdqrf5wTM?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDEMOS ON BASS\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/kamf5n5O8lY?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1vv5Wwq1xpg?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/MMPBxSHDPZU?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cform class=\"product_form\" enctype=\"multipart\/form-data\" method=\"post\" name=\"1\" id=\"product_5722\" action=\"https:\/\/www.jhspedals.com\/products\/bass-pedals\/muffuletta\/\"\u003e\n\u003cdiv class=\"single-product-meta\"\u003e\n\u003cdiv class=\"wpsc_variation_forms\"\u003e\n\u003cul class=\"variation-groups\"\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":3222839885845,"sku":"650415212415","price":368.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/45_e1697169-f4a8-4f41-bed1-46be73ec53cb.png?v=1694933630"},{"product_id":"jhs-superbolt-v2","title":"JHS SuperBolt V2","description":"\u003cul class=\"a-unordered-list a-vertical a-spacing-none\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eTones based on the clear and gritty tones of ‘60s Supro tube amps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eReplaced Hi\/Lo toggle with a Gain Toggle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eDrive knob acts in a similar fashion to the volume controls on the old amplifiers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eInternally converts 9V to 18V for a huge amount of headroom and punchy output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eStandard 9V DC Negative power, consumes less than 100mA\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e____________________________________________________________________________\u003c\/p\u003e\n\u003cp\u003eWhen we released the Superbolt in 2012, we never dreamed that it would become one of the most recognized and distinguished pedals in our history. Turns out there are guitarists all over the world that are loving the ‘60s-era Supro amp-in-a-box tones that this pedal churns out. In designing the pedal, we paid very close attention to the feel and sound that made the original amps the go-to combos for players like Jimmy Page, Brian Setzer, and Switchfoot’s Drew Shirley. And with the SuperBolt Version 2, we’ve upped the ante by giving you access to our versatile Gain boost circuit via the front-mounted toggle or our own JHS Red Remote footswitch (sold separately).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVintage amp tones with a tap of your toe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you want to know what our SuperBolt V2 is capable of, just listen to the opening chord stabs of Led Zeppelin’s debut album. A more iconic rock tone there isn’t. And though the cranked ‘60s Supro amp tones Jimmy Page deployed will go down as legend, those sounds are only the beginning of what the SuperBolt V2 is capable of.\u003c\/p\u003e\n\u003cp\u003e- Tones based on the clear and gritty tones of ‘60s Supro tube amps\u003cbr\u003e- Drive knob acts in a similar fashion to the volume controls on the old amplifiers.\u003cbr\u003e- Tube rectifier-like sag is increased as the Drive control is turned up\u003cbr\u003e- We made sure the tone control is usable throughout the whole range\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore versatile than meets the eye\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, when you step on the SuperBolt V2, your tone will be transformed into the glorious tones of classic rock’s heyday. But there’s much more under the hood than Jimmy’s Tele-driven rock. Back off on the Drive and Tone controls, and you’ll immediately find yourself digging into your best smokey Chicago blues licks. Or keep that drive low but crank the Volume, and you’re able to boost any amp into harmonically rich submission.\u003c\/p\u003e\n\u003cp\u003e- Tone control takes you from warm and mellow to cutting and aggressive, without ever losing its musicality\u003cbr\u003e- Internally converts 9V to 18V for a huge amount of headroom and punchy output\u003cbr\u003e- Gain knob sweeps between darn-near-clean and amp in full-meltdown mode\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo footswitchable gain levels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy pairing your SuperBolt V2 with the JHS Red Remote (sold separately), you’re able to access the front toggle’s gritty higher-gain settings on the fly. It’s like having two SuperBolts in one pedalboard-friendly package.\u003c\/p\u003e\n\u003cp\u003e- Switch to a more powerful sound with enhanced low end and grit\u003cbr\u003e- Plug in your JHS Red Remote for switching between the two voices with the tap of your toe\u003cbr\u003e- Handy LED changes from blue to red, indicating the status of the boost circuit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you love the SuperBolt, you will also love the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/rubyred\/\"\u003eRuby Red\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e2-in-1 Overdrive\/Boost pedal...check it out\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/rubyred\/\"\u003eHERE\u003c\/a\u003e!!!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003cbr\u003eV1 = 3 controls, Hi\/Lo toggle, some early stamped units had \"3 stage lighting bolt,\" most have a 4 stage bolt\u003cbr\u003eV2 = replaced Hi\/Lo toggle with a Gain Toggle, added Red Remote system\u003c\/p\u003e\n\u003ch3\u003eNEW VERSION 2!!!\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/yOCJKbrpwxs?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/He8WchbJ6tM?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/IlO3tm0cDaE?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Vwyi-j3NrKc?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qbdMCAK3YMA?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/QE31f3Ww-g0?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/zP2nelyiaQ0?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":3223192731669,"sku":"650415210862","price":298.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Superbolt_Edited.jpg?v=1527383356"},{"product_id":"jhs-unicorn-v2","title":"JHS Unicorn V2","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"wpsc_description\"\u003e\n\u003cp\u003eIn 2015 we brought you the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/unicorn\/\"\u003eUnicorn V1\u003c\/a\u003e ...the world's first bulb-driven photocell modulator with tap tempo...our very own Uni-Vibe if you will.  This Spring 2018 we are proud to bring you the Unicorn V2!\u003c\/p\u003e\n\u003cp\u003ePink Floyd’s “Breathe,” Jimi Hendrix’s “Star Spangled Banner live at Woodstock 1969,\" and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is our version of this heralded effect, continuing the inspiring modulation\/phasing\/rotary sounds that never fail to push musical boundaries. And just like the originals, we included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, we bring you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo. You’re welcome.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSounds as good as you remember\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Unicorn is bursting with all the lush and washy pulsations that changed what the electric guitar could sound like in the 1960s. And this is no digital emulation. The Unicorn sports the real-deal, analog photocell topology of the original units.\u003c\/p\u003e\n\u003cp\u003e- Sounds like the originals because it’s built like the originals\u003cbr\u003e- All-analog signal path delivers a warm, touch-sensitive tone\u003cbr\u003e- Dry\/Wet toggle selects between a Uni-Vibe* and vibrato effect\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn-depth tempo control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are other analog vibe pedals and there are pedals with tap-tempo control, but - if we’re allowed to gloat for a second - the JHS Unicorn is the first to put ‘em together. Add optional external speed control and a ratio knob that determines the rhythmic subdivisions - or as we like to say, how much fairy dust enters into the flux capacitor of the Unicorn - and you have one of the most versatile vibe pedals on the market.\u003c\/p\u003e\n\u003cp\u003e- Control the rate of the effect with the Speed knob or onboard tap-tempo footswitch\u003cbr\u003e- Want quarter note, dotted eighth, or triplet rhythms? They’re all found on the Ratio knob\u003cbr\u003e- LED indicator notifies you of the effect’s tempo, even when disengaged\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal tempo and expression control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBut wait, there’s more! One of the things that makes the vintage Shin-ei* Uni-Vibes* so desirable is your ability to control the effect’s rate in real time with an external expression pedal. How could we not include that!? And to go one step further, you can slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects.\u003c\/p\u003e\n\u003cp\u003e- Internal Tap\/Expression mini switch controls the side-mounted Tap\/Exp TRS jack\u003cbr\u003e- Expression pedal control of the Unicorn’s rate in the Exp setting\u003cbr\u003e- Use an external source to control the rate in the Tap Out setting (Works great with our Panther Cub Delay, Emperor Chorus pedals)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCouldn’t be easier to use\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the things we’re most proud of with the Unicorn Uni-vibe* Photocell Modulator is how easy it is to dial up the exact pulse of a mystical Unicorn running across a field of 4-leaf clovers… but only if you dare.\u003c\/p\u003e\n\u003cp\u003e- Four knobs and a mini toggle are all you need for a world of syrupy, modulated tones\u003cbr\u003e- Left two controls are your tone, right two controls are your speed, toggle is your effect. It’s that simple\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's new in the V2?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original Unicorn sounds great and works perfectly, so we didn't change a thing about it other than:  its now half the size, and its a lower price point!\u003c\/p\u003e\n\u003ch4\u003eWhen everything has been done and everything has been seen, we bring you a first ever 100% analog signal path Uni-vibe* Photocell Modulator w\/ Tap Tempo.\u003c\/h4\u003e\n\u003cp\u003eIf you have kids or just want a copy of our picture book called The Rarest of All, go to the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/the-rarest-of-all-an-illustrated-book\/\"\u003eproduct page\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cform class=\"product_form\" enctype=\"multipart\/form-data\" method=\"post\" name=\"1\" id=\"product_9298\" action=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/unicorn-v2\/\"\u003e\n\u003cdiv class=\"wpsc_product_price\"\u003e\n\u003ch3\u003eDEMO VIDEOS\u003c\/h3\u003e\n\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JG9ky7cuthQ\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/osCiSFJV1y8\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wWYvHxnqxNg\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/b53MMogISXU\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vgoMWYBkc2Y\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpsc_buy_button_container\"\u003e\u003c\/div\u003e\n\u003c\/form\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":3225477120021,"sku":"650415211876","price":318.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Unicorn_edited_1.jpg?v=1527383359"},{"product_id":"jhs-red-remote","title":"JHS Red Remote","description":"\u003cp\u003eImagine a Red Remote that doesn't take up any pedalboard space. Check out the \u003ca title=\"Cltchworks JS-1 (JHS Red Remote) Switch\" href=\"https:\/\/www.echoinox.com\/products\/cltchworks-js-1-jhs-red-remote\"\u003e\u003cstrong\u003eCltchworks JS-1 (JHS Red Remote) switch\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eUse the Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1\/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting.  The Red Remote is currently compatible with the following JHS Pedals:\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"JHS Morning Glory v4\" href=\"https:\/\/www.echoinox.com\/products\/jhs-morning-glory-v4\"\u003eMorning Glory V4\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"JHS Superbolt V2\" href=\"https:\/\/www.echoinox.com\/products\/jhs-superbolt-v2\"\u003eSuperBolt V2\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/twintwelve\/\"\u003eTwin Twelve V2\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.echoinox.com\/products\/jhs-double-barrel-v4-moonshine-morning-glory\" title=\"JHS Double Barrel\"\u003eDouble Barrel V4\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"JHS The Kilt\" href=\"https:\/\/www.echoinox.com\/products\/jhs-the-kilt-v2\"\u003eThe Kilt V2\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWhen using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch.  For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's \"GAIN\" toggle will be deactivated and the Red Remote will switch the toggle on\/off as you step on the footswitch.\u003c\/p\u003e\n\u003cp\u003eTo use the Red Remote, plug the remote into the jack of the pedal labeled \"REMOTE...\"  ...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":3225612812309,"sku":"JHS049-REDR","price":65.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Red_Remote_edited_1.jpg?v=1527383354"},{"product_id":"jhs-haunting-mids","title":"JHS Haunting Mids","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAre you on the search for scary good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, we here at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective Sweepable-Mids EQ pedal that can turn any amp or pedal into a ghastly monster.  With it’s ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination.\u003cbr\u003e\u003cbr\u003eThe controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo\/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at \u003cspan class=\"aBn\" data-term=\"goog_1617914689\" tabindex=\"0\"\u003e\u003cspan class=\"aQJ\"\u003e12 o'clock\u003c\/span\u003e\u003c\/span\u003e, no frequencies are boosted or scooped.  Turning the Mids knob to the left of \u003cspan class=\"aBn\" data-term=\"goog_1617914689\" tabindex=\"0\"\u003e\u003cspan class=\"aQJ\"\u003e12 o'clock\u003c\/span\u003e\u003c\/span\u003e will begin to scoop out midrange frequencies, while turning the Mids knob to the right of \u003cspan class=\"aBn\" data-term=\"goog_1617914689\" tabindex=\"0\"\u003e\u003cspan class=\"aQJ\"\u003e12 o'clock\u003c\/span\u003e\u003c\/span\u003e will begin to boost midrange frequencies. The Sweep knob controls the what frequencies will be affected.  Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected.  The Lo\/Hi toggle is like a \"Q\" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob.  \"Lo\" is a softer and wider peak for slightly subtler affect as you tweak the Mids\/Sweep knobs.  \"Hi\" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids\/Sweep knobs.\u003cbr\u003e\u003cbr\u003eThis pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every \"djent,\" blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig.  The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost.\u003cbr\u003e\u003cbr\u003e– Simple yet effective tool to boost\/cut the perfect amount of midrange frequencies.\u003cbr\u003e– Sweepable midrange frequency to find the perfect EQ to slice through any mix.\u003cbr\u003e– Turn any amp or pedal into a totally different ghastly monster.\u003cbr\u003e– Don’t forget the Volume BOOOOOOst.\u003cbr\u003e\u003cbr\u003eSo go and wake the undead with the ghostly sounds of the Haunting Mids!\u003cbr\u003e\u003cbr\u003eSPECS\u003cbr\u003e\u003cbr\u003e- Will boost +10dB with EQ flat\u003cbr\u003e- Total Harmonic Distortion 0.007%\u003cbr\u003e- Signal to noise ration 83dB\u003cbr\u003e- +\/- 15dB boost or cut\u003cbr\u003e- Sweepable center frequency from 400Hz to 7.5kHz\u003cbr\u003e- Switchable Q (LO-gentle broad, HI-peaking tight)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis pedal requires standard 9V DC Negative power, consumes 10mA, and measures 2.6\"x4.8\"x1.6\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"single-imagecol\"\u003e\n\u003ch3\u003eDEMO VIDEOS\u003c\/h3\u003e\n\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/rRteYYQEOaM\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/8XNFC-uNlvg\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/giXdj3pImdc?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/otk0_X3YY3g?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qdXyGJ_KBx4\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RJ20A_5qp-U?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/20Gd0NpLDBM?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Dc8TLy6FMI8?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/TspkSvAydbE\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":12558859698247,"sku":"JHS052-HMIDS","price":208.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Haunting_Mids_Edited_1.jpg?v=1535395388"},{"product_id":"jhs-kodiak-tremolo","title":"JHS Kodiak Tremolo","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals Kodiak Tremolo is the newest addition to our tap-tempo series featuring all the bells-and-whistles you need to create the biggest tremolo growl you’ve ever heard!  Based around classic Vox and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, onboard tap-tempo, and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation.  Let’s take a look at all the features this brown beast bears…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Kodiak has five simple controls: Volume, Speed, Mix, Ratio, and Wave. The Volume control enables you to set the overall volume however you like it, either dialed back, at unity or boosted.  The Speed knob is a manual control for the speed of the tremolo, which you can also set with the onboard tap-tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Ratio control gives you the ability to dial in faster speeds that are perfectly synced with the BPM of your tap.  You can choose from quarter notes, eighth notes, \"triplets\", or sixteenth notes.  The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square, and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time-signatures for different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey, and spend lots of time with your new bear-friend to really get to know what he has to offer!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Kodiak also features a Tap\/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt’s time for you to wrap your tone in the warm bear fur of the Kodiak!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis pedal requires standard 9V DC Negative power, consumes 10mA, and measures 2.6\"x4.8\"x1.6\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lVZn3nCA_ic?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"single-imagecol\"\u003e\n\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GKawTLoAf1c?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BmvOzeIij4c?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Gp_Hiyo36n4?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hmxhUcd-TGY?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rmuFex_kYYs?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GSUIpthLZyU?showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productcol single-producttext\"\u003e\n\u003cdiv class=\"wpsc_product_price\"\u003e\n\u003ch3 class=\"\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":12558878539847,"sku":"650415211883","price":298.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Kodiak_edited_1.jpg?v=1535740837"},{"product_id":"jhs-3-series-flanger","title":"JHS 3 Series Flanger","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The best part? Our 3-Series Flanger is $99. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39701060386887,"sku":"650415212446","price":165.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/JHS-Pedals-3-Serires-Flanger-Front.png?v=1656737960"},{"product_id":"jhs-3-series-screamer-tubscreamer","title":"JHS 3 Series Screamer","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe 3-Series Screamer is the beloved JHS Tube Screamer “Strong Mod”, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced TubeScreamer on earth, but that’s for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39701061238855,"sku":"650415212484","price":165.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/JHS-Pedals-3_Series-Screamer-Front.png?v=1656738042"},{"product_id":"jhs-3-series-phaser","title":"JHS 3 Series Phaser","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39701064286279,"sku":"650415212439","price":165.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/JHS-Pedals-3-Serires-Phaser-Front.png?v=1656738162"},{"product_id":"jhs-3-series-chorus","title":"JHS 3 Series Chorus","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39701069856839,"sku":"650415212354","price":165.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Chorus.png?v=1656738209"},{"product_id":"jhs-3-series-compressor","title":"JHS 3 Series Compressor","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39701084307527,"sku":"650415212323","price":165.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Compressor.png?v=1656739908"},{"product_id":"jhs-3-series-delay","title":"JHS 3 Series Delay","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39701128478791,"sku":"650415212378","price":165.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Delay.png?v=1656739947"},{"product_id":"jhs-3-series-distortion","title":"JHS 3 Series Distortion","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39701145288775,"sku":"650415212330","price":165.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Distortion.png?v=1656739986"},{"product_id":"jhs-3-series-hall-reverb","title":"JHS 3 Series Hall Reverb","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39701950201927,"sku":"650415212422","price":165.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/JHS-Pedals-3-Serires-HallReverb-Front.png?v=1656740021"},{"product_id":"jhs-3-series-fuzz","title":"JHS 3 Series Fuzz","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39701988376647,"sku":"650415212347","price":165.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Fuzz.png?v=1656740090"},{"product_id":"jhs-3-series-overdrive","title":"JHS 3 Series Overdrive","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702048276551,"sku":"650415212316","price":165.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Overdrive.png?v=1656740144"},{"product_id":"jhs-3-series-reverb","title":"JHS 3 Series Reverb","description":"\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay toggle allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power and consumes 74mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702101852231,"sku":"650415212361","price":165.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Reverb.png?v=1656740208"},{"product_id":"jhs-overdrive-preamp","title":"JHS Overdrive Preamp","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2019 I stumbled across a pedal that didn’t exist.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eYeah, cue the \u003cem data-mce-fragment=\"1\"\u003eTwilight Zone \u003c\/em\u003etheme song.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIt was a DOD Overdrive \/ Preamp that predated the “Gray Box” 250 pedals that everyone– myself included –had assumed were the first version ever made. The pedal was encased in a large gray folded metal enclosure that resembled Electro-Harmonix more than DOD, and it was conspicuously lacking the “250” model number. The typeset and DOD logo were different, but it still had the same charm and quirky feel of the vintage 1970s DOD. The sticker on the pedal’s backplate said “DOD Electronics Company” and listed the home address of founder David Oreste Di Francesco, as well as a number: 75. According to my interview with David himself a year later, I had found the 75th DOD pedal \u003cem data-mce-fragment=\"1\"\u003eever made\u003c\/em\u003e and one of the first ten DOD Overdrive \/ Preamps (250) \u003cem data-mce-fragment=\"1\"\u003eever sold\u003c\/em\u003e. This stompbox represented the genesis of “America’s Pedal.” For a pedal historian, it was the equivalent of uncovering the Dead Sea Scrolls. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe internals featured a floating\/loose hand-etched PCB and the same DOD 250 circuit, but with a few changes. The internal parts dated as early as 1972 and, according to David, were harvested from old radios and electronics he scavenged when he started building his first effects. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Overdrive Preamp is a faithful replication of this unobtainable V1 of DOD’s most loved pedal. The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive. We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain\/grit overall and more unique low\/mids. This is a must-have addition to any DOD collector’s lineup, or for anyone who's curious about how it all started. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe standard Overdrive \/ Preamp will be part of our normal JHS lineup. Buy yours today and experience the history of one of the greatest overdrive\/preamp circuits ever made.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 51MA, AND MEASURES 4.7\" X 3.7\" X 1.66”\u003c\/strong\u003e\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702144974919,"sku":"650415212460","price":268.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/OverdrivePreamp.png?v=1656740316"},{"product_id":"jhs-pg-14-paul-gilbert-signature","title":"JHS PG-14 Paul Gilbert Signature","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eJHS Pedals is proud to release the Paul Gilbert signature distortion \"PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low\/moderate volume levels.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eALL THE MIDS CONTROL!\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eA second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice!  Just hit the footswitch!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 36MA, AND MEASURES 2.2\"X4.8\"X1.6\".\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702263070791,"sku":"650415212255","price":298.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/PG-14.png?v=1656740379"},{"product_id":"jhs-moonshine-v2-tubescreamer","title":"JHS Moonshine V2 Tubescreamer","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAre you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine V2 is for you. Our Moonshine V2 overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore\/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCLEAN BLEND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Moonshine V2 is still the core tone of the version one and retains the simple  Volume, Tone, and Drive knobs.  However on the Moonshine V2 we added a new Clean knob to blend in any amount of clean signal to your tone!\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCONTROLS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe simple 2-position “Proof ” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion. In the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications.  The tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives often have in the brighter settings.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCHARGE PUMP\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eJust like our SuperBolt pedal, the Moonshine uses an internal 9V to 18V charge pump that allows it to run on normal 9V but converts it internally to 18V for an enormous amount of headroom, added low-end, and more overall punch.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWe wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster\/ Fender amp tones with class to huge “wall of rock”\/The Edge-style force through a Vox.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDUMBLE-ESQUE\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOn another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. It also kills on bass guitar, the reason it was originally designed.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = V-shaped knob layout; no Clean Blend Control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Square-shaped knob layout; added Clean Blend Control.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 30MA, AND MEASURES 2.2\" X 4.8\" X 1.6\"\u003c\/strong\u003e\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702359572551,"sku":"650415211784","price":298.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Moonshineedited4.jpg?v=1656436800"},{"product_id":"jhs-double-barrel-v4-moonshine-morning-glory","title":"JHS Double Barrel V4 (Moonshine ~ Morning Glory)","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Double Barrel V4 is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face-melting distortion here, but you will find overdrive with the character and stacking abilities to cover almost any tonal need, packing a one-two punch that is unrivaled.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"EVERYTHING LOW-TO-MEDIUM GAIN\" PEDAL AND IT JUST GOT BETTER!\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe right side is our brand new Moonshine V2, which is a highly unique and massively tweaked version of the most famous overdrive ever created, housed in a little green enclosure. The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones than you ever thought possible. The Moonshine V2 has the same core sound as the Version 1 but we have added a new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal. The order toggle lets you choose which circuit is first in the chain. When the toggle is flipped to the right side, the Moonshine is first. When the toggle is flipped to the left side, the Morning Glory is first.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe left side of the Double Barrel is our best-selling Morning Glory V4 overdrive. Transparent and open tones lurk inside this circuit, as well as the new hi-gain toggle with Red Remote capability. Just plug in the JHS Pedals Red Remote into the “Remote Gain” jack with a standard patch cable and you can switch the “Gain” toggle on the fly for even more tonal options. You now have five on-the-fly overdrive options to choose from in the Double Barrel V4!\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSTACKING FOR DAYS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility thanks to the “order switching” toggle.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Endless overdrive tones from low to medium gain\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Updated versions of the Moonshine and Morning Glory\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Red Remote capability with the Morning Glory V4\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Order toggle to select the order of effects when stacking\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWe are convinced that this is one of the greatest 2-in-1 pedals ever made... seriously. If you're having problems getting the tones you want, just grab the Double Barrel V4 and you’ll find out how easy it is to hit the target!\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Slightly darker cream powder coating; no toggle switches; six knobs total.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Color change to white; Order Toggle switch added; Morning Glory Bright Cut switch added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV3 = 808 Gain Toggle added; shotgun icon changed slightly.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV4 = Updated Moonshine V2 on right side and Morning Glory V4 on the left side. Top-mount jacks.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 108MA, AND MEASURES 4.7\" X 3.7\" X 1.5\"  \u003c\/strong\u003e\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702407872583,"sku":"650415211814","price":488.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/DoubleBarrelEdited.jpg?v=1656437045"},{"product_id":"jhs-sweet-tea-v3-angry-charlie-moonshine","title":"JHS Sweet Tea V3 (Angry Charlie | Moonshine)","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Sweet Tea V3 is our \"Everything Medium-to-High gain 2-in-1” and it covers all the bases from light breakup, blues, rock, heavy grind, and more.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Sweet Tea V3 is for anyone who wants a versatile overdrive\/distortion that covers all the bases you need plus more. You’ll find medium-to-high gain tones and the ability to stack for the perfect face-melting sounds.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMOONSHINE ON THE RIGHT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe right side is our brand new Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created, housed in a little green enclosure. The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones available than you ever thought possible. The Moonshine V2 has the same core sound as the Moonshine Version 1 but we have added a new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eANGRY CHARLIE ON THE LEFT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOn the left side is our newest version of the Angry Charlie which is the Angry Charlie V3, one of our most popular pedals of the last few years. High gain JCM 800 type “Brown” sound tone that we believe is the most accurate Marshall tone ever put in a stompbox! It has Volume, Drive, and the full Bass, Mid, and Treble tone stack like you’d find on the amp. With the full tone stack and the amazingly accurate amp tones in this circuit, you’ll be begging for more!\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFEATURES\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Sweet Tea V3 features our classic order switching toggle so that you can choose which circuit is first in the chain for the perfect stacking tones you’ve been searching for.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Even more overdrive and distortion tones\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Fully independent Moonshine V2 and Angry Charlie V3 circuits\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Order toggle to select the order of effects when stacking\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Tons of control to dial in your perfect sound\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith these tones combined or used separately, the Sweet Tea V3 is a gallon-and-a-half of overdrive that goes down easy on a summer night!\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Slightly different icon, no toggles.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 =  Order Toggle and Gain Toggle added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV3 = Updated Moonshine V2 on the right and Angry Charlie V3 on the left. Top-mount jacks.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 51MA, AND MEASURES 4.7\" X 3.7\" X 1.66”\u003c\/strong\u003e\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702521053255,"sku":"650415211821","price":488.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/SweetTeaEdited.jpg?v=1656437753"},{"product_id":"jhs-packrat-9-in-1-proco-rat","title":"JHS PackRat (9-in-1 Proco Rat)","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI: the Proco RAT. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn’t exist in the mainstream product lines like MXR, DOD and BOSS. They wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe PackRat is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar’s sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eBuilding on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift). If you purchased these nine hard-to-find pedals on the used market right now, you would pay around $4,000. When you put it that way, $249 sounds pretty reasonable.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLet’s take a look at the controls.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe operation of the PackRat is about as simple as it gets. The “Volume” control adjusts the overall volume of the pedal. The “Distortion” control lets you raise and lower the amount of gain or distortion that the circuit produces, and the “Filter” control allows you to brighten and darken the sound of the overall effect. This is effectively a simple, low-pass filter. Lastly, we have “Mode” control. This is a stepped pot that clicks into place as you scroll through the nine legendary versions of this circuit. As you change the mode, the analog circuitry is rewired, resulting in brand new values of resistors, capacitors, diodes and op amps. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDISCLAIMER: \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAlthough I’ve put several years of research into the history, circuit topology and version history of the RAT, I know that my findings may still ruffle some feathers. I’m okay with that. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eI have tracked down over 100 different RAT specimens for study, and I’ve performed almost twenty hours of interviews with former ProCo employees about the circuit design, evolution and production of this pedal series over the decades. And basically? A lot of the widely accepted “facts” about the differences in RAT versions, including some of my own beliefs, were wrong. Most assumptions about how specific RAT models sound different or better than the rest are, at best, misinformed. Generally speaking, they’re flat-out incorrect. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTo find the facts and give this circuit the proper understanding it deserves, every RAT model ever made (and quite a few prototypes that never saw the light of day) were obtained and studied in great detail. I wanted to understand the exact production differences over the years, so we disassembled the units, analyzed them using state-of-the-art Audio Precision equipment, measured individual components, built comparison charts, traced each circuit and closely examined the branding, logos and other identifiers of change. As far as I know, no one has ever gotten close to the level of research that we performed between 2018 and 2021. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eReliable sites like \u003ca href=\"http:\/\/reverb.com\/\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/reverb.com\/\"\u003eReverb.com\u003c\/a\u003e had inaccurate timelines with incorrect pictures of the respective models. Even ProCo’s own history timeline was missing tons of details about the RAT variations that have been made over the past 40 years. And Wikipedia?… No. Just no. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThere’s a reason for that. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eA vintage unit is typically dated by reading the manufacturer codes on the back of the pedal’s potentiometers\/knobs. Unfortunately, this is a flawed dating method. ProCo would have ordered thousands of potentiometers, and in doing so, many pedals were made with parts pulled from backstock at least two to three years older than the actual pedal being dated. In short, this means that you’ll see V1s, V2s, V3s with dates that overlap with each other’s true production years. Combine this with decades of people incorrectly “remembering” what RAT model sounds the best, and you have a historically inaccurate hot mess on your hands. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTo properly build an accurate timeline and database of changes, I dated the pot codes, dated their components when possible, interviewed respective people involved in the eras of production and referenced over 1,000 online sales photographs, and studied the prototypes and the evolution of the engineers’ design ideas. I did everything possible to build an airtight case for my work and to not rely on any prior dates and timelines. The results may not be perfect, but they’re pretty darn close. See my full biographical timeline with photography and specific details of my work \u003ca href=\"https:\/\/thejhsshow.com\/articles\/history-and-timeline-of-the-proco-rat-pedal\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/thejhsshow.com\/articles\/history-and-timeline-of-the-proco-rat-pedal\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ehere\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe PackRat Modes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1. The OG V1 (1979-83)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe OG mode is a perfect recreation of the first production RATs ever made. This era of roughly four years covers what is referred to historically as the V1 models. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEarly V1s are also known as the Fringe Logo model and can be identified by the letters R-A-T being in all capital letters with a slight fringe graphic coming from the typeface. The V1 also has small silver capped knobs and a Tone knob instead of the more familiar and later produced V2 Filter control labeling. From a circuitry standpoint, the V1 and V2 Big Box models are practically identical except that the V1's Tone control increases treble as you turn clockwise while the V2's Filter control decreases treble in that direction. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen switching to the OG mode, you are activating the exact circuitry of my 1979 V1 Fringe Logo model, including the accurate Tone control rotation and taper.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLet me take a moment here to clarify: the V1 and V2 models are the \u003cem data-mce-fragment=\"1\"\u003eexact same circuit\u003c\/em\u003e, and simple adjustments to the Tone\/Filter control can achieve identical sounds from each unit. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eI know that the super nerds are going to ask why we didn’t include a Bud Box mode. Basically, I’d consider the Bud Box RAT to be a V1, because it is almost identical other than having an input buffer as well as a couple of extra parts.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e2. White Face V3 (1984-1986)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 1984, the RAT transitioned into a smaller square enclosure with a new white rectangle logo. The word RAT was in all black caps inside the white rectangle; this model gained the “White Face” RAT nickname due to this aesthetic. In 1986, this same model had a logo change that simply inverted the white and black colors, resulting in the more familiar white rectangle outline and font on the black enclosure. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis “White Face” model has gained a reputation as one of the holy grail RATs, and it even spawned a reissue in the nineties. The irony is that it is the same exact circuit as the previous Big Box V2 and the following “Black Face” 1986, as well as the 1989 RAT2. The “White Face” V3 update was a purely cosmetic change due to screen printing errors that needed to be solved. ProCo knew that the world wanted smaller pedals in the wake of brands like BOSS, DOD and Ibanez gaining more and more market share, and they wisely cashed in on the trend. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith this said, why would I put this particular version in my PackRat if it is not any different than the OG? For one, nostalgia is a powerful thing, and secondly, this mode will switch to the reverse orientation V2-V3 Filter control with an entirely different feel and experience. In many ways it widens what many consider the sweet spot for the most beloved RAT tones.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLike you, I want to believe in magic models of my favorite pedals, but sometimes the magic is just because we like the look or the user experience of one version over the other. It’s okay to admit that and move on. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e3. Turbo V5 (1989)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe heart of the RAT’s tone comes from a design technique called symmetrical hard clipping. In this approach, a simple amplifier circuit amplifies the guitar’s signal and pushes it across a pair of clipping diodes. The result is that these diodes clip off the top of the waveform of the guitar and create a type of square wave distortion. Every RAT until 1989 utilized a typical silicon diode, just like the DOD 250 and BOSS DS-1, but the new Turbo RAT used LEDs (Light Emitting Diodes). Yup, these are the same LEDs you see in flashlights, your car’s dashboard, DVD players and almost every other electronic device on earth. This technique was a first in pedals (the same clipping style was used in the Marshall Guv'nor) and offered a completely new RAT experience.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe silicon diodes in previous versions have a lower forward voltage, resulting in a faster and more extreme clipping of the waveform. You could say this type of diode creates a very saturated tone. The Turbo’s LEDs have a much higher forward voltage, so they don’t activate or clip the signal as fast or as hard. It takes more signal to reach the point where they will “cut off” the waveform, which causes the phenomenon we know as touch sensitivity. You can set the Distortion lower, and as you play lightly, you will have an overdrive tone; dig into your guitar and play hard, and hear more clipping\/distortion. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIt is also worth noting that this model was the first RAT that offered the sloped enclosure that we see today. It also featured the new on\/off status LED that had made its debut one year earlier in the 1988 RAT2.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e4. BRAT V6 (1997)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 1997 ProCo got into the budget pedal game by releasing the BRAT and the Guitar Center exclusive, Roadkill. These two identical circuits with different and very nineties grunge aesthetics have the most changes so far in the evolution of this legendary circuit.  \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis design added an input buffer circuit and soft clipping (inside the loop of the op amp) on top of the standard hard clipping of the previous RATs. We also see a return to the opposite taper\/rotation Filter control and several capacitor value changes that alter the frequency response and characteristics of the distortion. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e5. Dirty V7 (2004)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2002, ProCo released a 2-in-1 RAT pedal called the Deucetone. This pedal allowed you to have two completely separate RATs and activate them independently or stack them together. It also introduced two brand new sounds into the RAT topology: “Clean RAT” mode and “Dirty RAT.” Due to the popularity of the “Dirty RAT” mode, they released a single pedal called You Dirty RAT that featured that single setting in a standard sloped RAT enclosure. This circuit utilizes germanium diodes in the symmetrical hard clipping section of the circuit. This technique gives the most saturation and waveform clip-off of any version ever made. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn addition to the diode changes, this model has several different capacitor value changes resulting in a different distortion character and feel. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e6. LA (1986)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 1986, Ibanez released the 10 Series line of pedals that included three RAT style pedals. The Super Product and Fat Cat held the position of accurate and traditional RAT style pedals, while the quirkier LA Metal was, in my opinion, one of the best-modified RAT circuits of the eighties. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIt includes a great input buffer, several key capacitor changes for frequency response, and no clipping diodes at all. The distortion is produced by overloading or “clipping the rails” of the op amp. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eI don’t play LA Metal, and I’m guessing you don’t either, but I promise you will love this mode!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e7. Landgraff MO’D (1999)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eBetween 1999-2000, a man named John Landgraff started building pedals by hand in Pensacola, FL. Each one painted with a unique swirl paint job and wired point to point; John’s pedals were and still are the true definition of boutique and gained a reputation for sounding amazing. His most popular pedal was the Landgraff Dynamic Overdrive, a take on the Ibanez Tube Screamer, but my favorite was his distortion pedal that he called the “MO’D,” a distant cousin of the RAT and a really fantastic pedal in its own right.  \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e8. Caroline (2010)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eA few years after starting JHS, I purchased a fascinating distortion pedal from a brand new company out of South Carolina. I remember jumping on the phone and geeking out with the designer and head of the company Philippe Herndon. We talked about the circuit, his love for RATs and his clever take on the circuit. That pedal was called the Wave Cannon and when I started the PackRat project, it was obvious that Philippe was the friend I should bring along for the ride.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e9. JHS Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2003 I managed a tiny guitar shop in Northwest Alabama. One day a man walked in with a vintage Small Box RAT and said he wanted to sell it. When the shop’s owner said he wasn’t interested, I said I was. I bought that RAT for $15, and this is most likely the single event that led me down the pedal collecting rabbit hole. That pedal stayed on my board for a decade, and when I started modifying and building pedals in 2007, I opened it up, learned the circuit and modded it to reflect a different kind of sound. Parts of that modification became the now discontinued JHS All American and the long-running JHS PackRat modification that we performed on thousands of RAT pedals from 2008-2018. The JHS Mode lets me keep what makes the RAT unique and add in a few of my personal favorite mods.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702550609991,"sku":"650415212408","price":368.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/PackRat2.png?v=1656747251"},{"product_id":"jhs-legends-of-fuzz-bender-tonebender","title":"JHS Legends Of Fuzz Bender Tonebender","description":"\u003ch2\u003e1973 MKIII TONEBENDER* REPLICA\u003c\/h2\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e5.68 X 3.62 X 2.0 INCHES, 0.85 LBS\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe \"Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAt JHS, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The \"Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn April of 1965, a new device changed rock 'n' roll forever. From the back workbench of Macari’s Musical Exchange on Denmark Street in London, Gary Hurst invented the Sola Sound* Tonebender* fuzz. Building on the foundation of the American-made 1962 Maestro Fuzz Tone*, Gary expanded what fuzz could do and gave a new sound to the thriving London music scene. Starting with his very first prototype made in a simple wooden box (April 1965) to the many other official Sola Sound* versions like the MKI (Sept 1965), MK2 (Mid 1966), MK3\/MK4 (Feb 1970), etc., the Tonebender* has evolved just like the music that it helped create.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Bender is our attempt to recreate the most prized Tonebender* in my collection: my 1973 MK3 Silver\/Orange “Onomatopoeia” version. This version has three very special germanium transistors, tons of mojo, and fifty plus years of experience, but it is finicky and it doesn’t always do what you want it to do. I had to ask: could we replicate this pedal sonically? Could we capture what it's all about, but in a way that is more consistent, dependable, and easy to manufacture? Yes. The end result is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” button that lets you access a never-before-heard “JHS Mode”. Push that button for more gain and a mid frequency boost to send your leads soaring through the mix. With higher Attack settings in this mode, you will feel the fuzz slightly gate depending on your picking dynamics. If you want a fuzz that can go from middle of the road crunch distortion to full out aggression, the Bender is for you. The tone control is extremely flexible and allows for dozens of sonic variations that most fuzz users only dream about. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIf you love the fuzz sounds of Led Zeppelin, Jeff Beck, The Beatles, Mick Ronson (David Bowie), and My Bloody Valentine, then the Bender is for you.  \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUSES 9V DC NEGATIVE CENTER. 4MA CONSUMPTION. DO NOT USE MORE THAN 9V DC, OR YOUR WARRANTY WILL BE VOIDED. \u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHE BENDER DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THE BACKPLATE WILL SWING OPEN. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702587048007,"sku":"650415212279","price":308.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Bender.png?v=1656747342"},{"product_id":"jhs-crimson-red-army-overdrive","title":"JHS Legends of Fuzz Crimson (Red Army Overdrive)","description":"\u003ch2\u003e1992 MIKE MATTHEWS RED ARMY OVERDRIVE REPLICA\u003c\/h2\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e5.68 X 3.62 X 2.0 INCHES, 0.85 LBS\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe \"Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAt JHS, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The \"Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 1969, Electro Harmonix released the first “Triangle” version of the legendary Big Muff distortion fuzz. All throughout the 1970’s we see various new revisions of this famous circuit like the V2 \"Rams Head” (1973), V3 “Pi” (1977), V4 “Op Amp” (1978), but in 1984 everything stopped. Electro Harmonix filed its second bankruptcy, closed its doors, and the mighty Big Muff disappeared for almost a decade. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn the early 90’s Mike Matthews noticed that his 1970’s Electro Harmonix pedals were selling for vintage\/rare prices. By 1991 he worked out a manufacturing agreement with an ex-soviet manufacturing company in St. Petersburg and brought the Big Muff back to life. This new version was technically the 7th version of the now famous Big Muff, but since Mike no longer owned his old trademarks, he labeled it the “Mike Matthews Red Army Overdrive” by Sovtek*. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. Only manufactured in small numbers from 1991-1992, very few examples of this still exist, making this almost impossible to find. It shares characteristics with the famous Sovtek* “Civil War” (Late 1992) version, but it stands on its own. Warmer, clearer, and more defined than any of the Soviet Big Muffs that followed, the Red Army offers a unique flavor of a very familiar effect. The Crimson is an exact replica of my own Red Army Overdrive, allowing you to own a unique part of fuzz history.  \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” button that lets you access a never before heard “JHS Mode”. Push that button for a mid frequency boost that forces your sound through the mix. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIf you love the tones of the Smashing Pumpkins, Wilco, Sonic Youth, David Gilmour, White Stripes and Dinosaur Jr, then this is the pedal for you.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUSES 9V DC NEGATIVE CENTER. 4MA CONSUMPTION. DO NOT USE MORE THAN 9V DC,OR YOUR WARRANTY WILL BE VOIDED. \u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHE CRIMSON DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THE BACKPLATE WILL SWING OPEN. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702599532615,"sku":"650415212262","price":308.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Crimson.png?v=1656747430"},{"product_id":"jhs-smiley-fuzz-face","title":"JHS Legends of Fuzz Smiley (Fuzz face)","description":"\u003ch2 data-mce-fragment=\"1\"\u003eINSPIRED BY FIRST-ERA SILICON MODEL ARBITER FUZZES\u003c\/h2\u003e\n\u003ch3\u003e5.68 X 3.62 X 2.0 INCHES, 0.85 LBS\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe \"Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits. \u003c\/p\u003e\n\u003cp class=\"\"\u003eAt JHS, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The \"Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 1966, a salesman named Ivor Arbiter saw the rising British rock scene demanding the effect of fuzz. He decided that his company Arbiter Electronics* needed to join the other London guitar product companies and release his own take on this trending sound. After seeing the circular base of a mic stand, he came up with the idea to put the effect in a similar round enclosure and give it a face: two eyes made of knobs, a foot switch nose, and a brand label mouth. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThus, the Fuzz Face* was born. That same year an American guitarist named Jimi Hendrix arrived in London and adopted Ivor’s design as his weapon of choice, and the rest is history. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe first few years of the Fuzz Face* were manufactured using germanium transistors but by 1969, germanium fully gave way to silicon devices and Arbiter never looked back. Hendrix himself preferred the silicon versions over germanium because of their sound, aggressive bite, and their stability in environments where germanium proved inconsistent. The JHS Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units from my collection were considered and analyzed so that we could be sure to perfectly capture the magic that I love in this era. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face* is its ability to clean up when the guitar's volume is rolled back, and the Smiley does this effortlessly. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” control. Push this button to access our own unique “JHS Mode”. This mode sends the Smiley into high gain \/ gated fuzz territory that you may never want to come back from. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIf you want a fuzz that covers coveted classic tones, look no further. Legends like Jimi Hendrix, Jack White, Eric Clapton, David Gilmour, and Eric Johnson have used this circuit on countless albums. Now it's your turn.\u003c\/p\u003e\n\u003ch3\u003eUSES 9V DC NEGATIVE CENTER. 4MA CONSUMPTION. DO NOT USE MORE THAN 9V DC, OR YOUR WARRANTY WILL BE VOIDED. \u003c\/h3\u003e\n\u003ch3\u003eTHE SMILEY DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THE BACKPLATE WILL SWING OPEN. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702627123271,"sku":"650415212286","price":308.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Smiley.png?v=1656747485"},{"product_id":"jhs-supreme-univox","title":"JHS Legends of Fuzz Supreme (Univox)","description":"\u003ch2\u003e1972 UNIVOX SUPER-FUZZ REPLICA\u003c\/h2\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e5.68 X 3.62 X 2.0 INCHES, 0.85 LBS\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe \"Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAt JHS, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The \"Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn the late 1960’s, Japan was bursting at the seams with amazing guitar pedal companies and innovations. One of the most sought after effects from this time and place is the Univox Super-Fuzz. This effect is an octave fuzz that turns any note or chord into a thick and searing texture. Playing a high octave up alongside the distorted note, this is an effect that demands your attention. First produced inside of a large amp head sized multi-effect unit called the Honey* Psychedelic Machine (1967) and then re-released a few months later as a standalone pedal called the Honey* Baby Crying Effect. Honey* soon became Shin-Ei* and by 1968 Shin-Ei* became the guitar pedal powerhouse of Japan, making Shin-Ei* branded effects as well as producing those same circuits for dozens of brands like Shaftesbury, Kent, Crown, Jax, and America's Univox. This circuit found its way into the lineup of brands all over the world. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThanks to product placement by Pete Townsend of The Who, the Univox Unicord Super-Fuzz version found fame above all the rest. First produced in a simple, unassuming grey metal enclosure (1968), it transitioned into a more eye catching form factor utilizing a large rectangle foot pad that said SUPER-FUZZ in large letters across the top (1970). Red and blue, black and grey, white and black, you could pick your color. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Supreme is an exact replica of my favorite Super-Fuzz in my collection, my extremely rare black and grey model. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and that’s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe controls are Volume and Expand. Volume makes the effect louder as you turn it and Expand increases the amount of fuzz. On the side you will see two buttons. The “Tone” button engages a mid cut that flattens out the Supreme’s attack and makes it more submissive. Think of this as a preset scooped mid EQ control. The “Mode” button activates our very own “JHS Mode” setting. You will hear a much more pronounced octave up effect, thicker mid-range, and more available volume\/boost. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIf you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, Beastie Boys, and Mudhoney, this is it. \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUSES 9V DC NEGATIVE CENTER. 4MA CONSUMPTION. DO NOT USE MORE THAN 9V DC, OR YOUR WARRANTY WILL BE VOIDED. \u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHE SUPREME DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THE BACKPLATE WILL SWING OPEN. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702645145671,"sku":"650415212293","price":308.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Supreme.png?v=1656747603"},{"product_id":"jhs-cheese-ball","title":"JHS Cheese Ball","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLong ago in a mysterious time that we call the 1990's, a new pedal company was created in England. Its ideas were off the beaten path, and its sounds were otherworldly. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Shields (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore, and many others using the out-of-production units, their Used market prices have begun to rise more and more, sometimes into the $800 range. The Cheese Ball is our faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections.  In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz\/distortion sound. In the “1” position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Cheese Ball is our homage to one of the most excellent fuzz\/distortion pedals ever created. Rediscover the finest aged cheese in the pedal world.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 9MA, AND MEASURES 2.6\"X4.8\"X1.6\".\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702668247111,"sku":"650415212248","price":268.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Cheeseball1.png?v=1656747681"},{"product_id":"jhs-mini-foot-fuzz-v2","title":"JHS Mini Foot Fuzz V2","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWelcome to the next generation of fuzz, the tiny kind that you turn on with your foot…also known as the Mini Foot Fuzz V2. Though this little purple box may look like a toy, the sounds that come from this box are anything but child’s play. From gated, low-gain splat to almost infinite sustaining buzz, the Mini Foot Fuzz V2 covers a lot of ground with very little fuss and a whole lot of attitude.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe controls on the Mini Foot Fuzz V2 are as simple as it gets with Volume and Fuzz knobs as well as a toggle for high or low gain settings. Crank the Volume and leave Fuzz down low to give you lower-gain, vintage-style fuzz. Once you start to crank the Fuzz you will find all the cutting and splatty tones you need for any riff or lead line. In the – mode, the toggle gives you a low-gain mode where you get vintage broken-speaker type sounds. Flip it into the + mode and you get a classic yet modern high-gain buzz to blow the roof off with.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIf you’re looking for a versatile fuzz without the fuss, the Mini Foot Fuzz V2 is your ticket. As far as we’re concerned, there’s never been a better Itty-Bitty Foot-Activated Buzzy-Sound device in all creation!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Two knobs; no toggle.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Added toggle; smaller knobs.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 3MA, AND MEASURES 3.6\" X 1.5\" X 1\" \u003c\/strong\u003e\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702717497415,"sku":"650415212064","price":208.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/MiniFootFUzz2.png?v=1656747740"},{"product_id":"jhs-emperor-v2-vibrato-chorus","title":"JHS Emperor V2 (Vibrato, Chorus)","description":"\u003cp data-mce-fragment=\"1\" class=\"\"\u003eIn 2014 we brought you the Emperor V1, a 100% Analog Chorus\/Vibrato with Tap Tempo. Now in 2018 we are proud to bring you the Emperor V2!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThere are two ways to look at the JHS Pedals Emperor Analog Chorus\/Vibrato pedal. The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1...but its also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of ‘80s-style analog chorus pedals and we've added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig... or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eSO MUCH MODULATION\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eWe call the Emperor an analog chorus\/vibrato. That’s just because calling it a true analog chorus\/pitch vibrato with tap tempo\/waveform selection\/rotary speaker simulation\/true stereo output\/and more pedal would have been a pain to write every time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- The glorious tones of a real-deal, 3207 chipset bucket brigade topology\u003cbr data-mce-fragment=\"1\"\u003e - Mini toggle switch selects between chorus and vibrato effects\u003cbr data-mce-fragment=\"1\"\u003e - Three available waveform types (sine, square, and triangle)\u003cbr data-mce-fragment=\"1\"\u003e - Intuitive controls for Volume, EQ, Speed, and Depth\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUPDATED TONE SHAPING CAPABILITIES\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eMaking a good thing better? Yes please. The Emperor V1 had a Tone control which has now become the EQ control in the Emperor V2. We've replaced the passive tone control in the V1 with an active EQ control that functions as a Tilt. You'll now have much more tone shaping capability in the V2. The overall EQ control is much improved in the Emperor V2 and you will not lose any low-end sometimes commonly found with chorus\/vibrato pedals.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eIN-DEPTH TEMPO CONTROL\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eTo control the rate of the Emperor’s effect, simply turn the Speed knob up and down or tap the tap tempo footswitch. Or for the more adventurous among us...plug in an expression pedal for variable control in real time. And you can even slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Control the rate with the onboard Speed knob or tap tempo footswitch\u003cbr data-mce-fragment=\"1\"\u003e- Tap\/Exp mini switch on the left side of the pedal controls the side-mounted Tap\/Exp TRS jack\u003cbr data-mce-fragment=\"1\"\u003e- Use an external source to control the rate in the Tap Out setting (works great with our Panther Cub Delay and Unicorn pedals).\u003cbr data-mce-fragment=\"1\"\u003e- LED indicator notifies you of the effect’s tempo, even when disengaged\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eA FEW EXTRAS\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eYou knew we would throw in a few extra features for you, didn’t you? Of course we did. When designing the Emperor, we conveniently and inconspicuously tucked in stereo output and the ability to select between buffered or true-bypass operation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Plugging TRS splitter cable into the output jack is all it takes to wring true stereo output from the Emperor\u003cbr data-mce-fragment=\"1\"\u003e- Internal switch changes from buffered to true-bypass operation**\u003cbr data-mce-fragment=\"1\"\u003e- High-quality buffer helps drive long cable runs and in-depth pedal setups while restoring high-end loss\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 57 MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702759735367,"sku":"650415211869","price":318.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/EmperorEdited1.jpg?v=1656438983"},{"product_id":"jhs-tidewater-tremolo","title":"JHS Tidewater Tremolo","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eHave you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker? Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht. The Tidewater tremolo faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater tremolo.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe controls are Volume, Mix and Speed. The Volume allows you to set the overall volume at unity, below unity, or above unity for a boosted tone. With the Mix turned all the way down you can use the Tidewater as a warm preamp boost. The Mix knob controls the depth of the tremolo while the Speed knob controls how fast the tremolo moves, indicated by the LED next to the Speed knob. Inside the pedal on the back of the PCB there are three small dip-switches. When all three switches are in the down position, the range of speed available is faster. When all three switches are in the up position, the available range of speed is slower.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen you want a simple amp-like tremolo that doesn’t take up much space, the Tidewater tremolo is your vessel of choice.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 3 MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702814949447,"sku":"JHS041-TIDE","price":208.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Tidewatertrem2.png?v=1656748060"},{"product_id":"jhs-color-box-v2","title":"JHS Color Box V2","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2012, I had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard-to-achieve sounds of \"direct-in\" electric guitar recordings that I loved.  Bands like the Beatles, Spoon, Wilco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eI wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what we had imagined.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2014 as we filmed the first demo videos at Abbey Road Studios in London and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOn its release day, I wasn't quite sure how it would be accepted, but I knew that I loved it. As a few months went by, we saw something amazing begin to happen; this pedal was showing up in all types of environments. Producers, engineers, and artists were emailing us, tagging us on socials and showing how they had put the Colour Box to use. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo buses, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument! This unit can be heard on dozens of recordings from U2, Wilco, The National, Spoon, Collective Soul, Muse, the War on Drugs, and Phantogram amongst others. As proud of this pedal as we were, we wanted to make it better, so we did. \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION 2 EMERGES\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe most significant improvements are:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAddition of an Output transformer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSafely Passes 48V Phantom Power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEQ Shift Knobs for precision EQ control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eHi\/Lo Switch for ultra clean headroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e100% available clean signal even on acoustic guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSilent switching, aka no \"switch-pop\"\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eRuns on standard 9V DC Neg power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFEATURES \u0026amp; CONTROLS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMOST POWERFUL EQ YET\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The classically labeled EQ knobs adjust the amount of frequencies that get boosted and cut, while the Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEQ Functions\u003c\/p\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTreble Knob\u003c\/strong\u003e - Cut\/Boost Control     +\/-15dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiddle Knob \u003c\/strong\u003e- Cut\/Boost Control    +\/- 10dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBass Knob\u003c\/strong\u003e -   Cut\/Boost Control   +\/-15dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFrequencies controlled by EQ Shift Knobs:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTreble Shift \u003c\/strong\u003e- 2kHz to 30kHz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiddle Shift \u003c\/strong\u003e- 150Hz to 2.4kHz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBass Shift \u003c\/strong\u003e- 20Hz to 440Hz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eHi-Pass\u003c\/strong\u003e section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob. The HPF is a 2nd order 6dB per octave highpass filter. The -3dB cutoff freq (the frequency at which the filter starts to act) can be adjusted from 160Hz to 650Hz.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eXLR AND OUTPUT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Smaller enclosure; no “shift” EQ knobs; seven knobs total.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Larger enclosure; ten knobs total; added Hi\/Lo Toggle; passes phantom power. Output transformer addition.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHE COLOUR BOX V2 RUNS ONLY ON STANDARD 9V DC NEGATIVE POWER (DO NOT PLUG IN ANYTHING GREATER THAN 9V) AND MEASURES 5.7” X 3.75” X 1.85\"\u003c\/strong\u003e\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702849519687,"sku":"650415212224","price":638.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/ColourBoxEdited.jpg?v=1656748096"},{"product_id":"jhs-clover","title":"JHS Clover","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn early 1984 BOSS released two strange new devices under the name “The Pocket Series”. One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on the recording of “Unforgettable Fire” as well as placing it in his following touring rigs. The Clover Preamp\/Boost is our faithful interpretation of the FA-1 but with several additional features that we believe make this amazing circuit even better. You won’t want to be without your lucky tone-shaper at any gig!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCONTROLS\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Clover has four standard controls and one rotary switch on the top. The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals. There are three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble. The rotary switch has three settings: Full EQ, No Mid, and No EQ. When set to Full EQ all three EQ controls are in operation, giving you full control over the full range of EQ available. The No Mid setting is an exact replica of the original FA-1, removing the ability to control the Mids and leaving them in a fixed setting. When in the No EQ mode all the EQ settings are removed and the Clover becomes a straight FET boost, perfect for pushing an amp. On the right side of the pedal there is a Low Cut dip switch. This removes some of the lows if you feel your tone is too muddy and can help you cut through a mix.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eXLR OUTPUT CAPABILITIES\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn addition to the standard 1\/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp. These can be used individually or simultaneously if you want to go to a sound board or interface as well as an amplifier. The XLR output was designed with acoustic and bass players in mind as the Clover is a wonderful preamp that gives you a great amount of control over your sound. There is also a ground lift if you experience some hum when using the XLR output.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eEND ALL BE ALL\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Clover is an end all preamplifier \/ boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound. No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool.  While the Clover excels at being a preamp \/ boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. The EQ lets you hit the exact spot that your amp is naturally prone to give in at. Push your small wattage amp into natural rich overdrive and distortion or find sounds in your larger more powerful wattage amp that you have never heard before. Strat and Tele players can use the Clover to create extra punch, depth and dynamics that single coil pickups can’t normally achieve, while Les Paul and humbucker players can find clarity, bite and definition galore! From country, rock, metal and even acoustic… The Clover covers every base. Find your unforgettable tone with the luck of the Clover!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eIN-DEPTH SPECS:\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe XLR output is identical to the 1\/4” output.\u003cbr data-mce-fragment=\"1\"\u003eHas up to +24dB of gain (X16.4) (EQ Flat).\u003cbr data-mce-fragment=\"1\"\u003eTreble +\/- 15dB shelving filter at 10kHz\u003cbr data-mce-fragment=\"1\"\u003eMiddle +\/- 15dB peaking filter at 1.3kHz\u003cbr data-mce-fragment=\"1\"\u003eBass +\/- 15dB shelving filter at 270Hz (3dB freq)\u003cbr data-mce-fragment=\"1\"\u003eLo cut engaged -3dB point at 212Hz\u003cbr data-mce-fragment=\"1\"\u003eInput impedance \u0026gt;1M ohm\u003cbr data-mce-fragment=\"1\"\u003eOutput impedance = 520ohms\u003cbr data-mce-fragment=\"1\"\u003eCurrent draw at idle = 45.5mA\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 45.5MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702879764551,"sku":"650415212088","price":298.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/CloverEdited2.jpg?v=1656439619"},{"product_id":"jhs-prestige","title":"JHS Prestige","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals Prestige is a booster\/buffer\/enhancer that will give you that “something”, the magic that you’ve been looking for. In a simple package, the Prestige can be used as an always-on preamp or buffer, or you can crank it up to send your amp into a natural overdrive that will dazzle audiences far and wide.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Prestige features one knob for volume. In the first 25%, you have a natural buffer\/enhancer that is great for long cable runs or just to add a touch of brightness to your signal. At 25% to 75% the Prestige becomes a volume boost to give you a nice push for solos or to put in front of an overdrive to create more saturation. Above 75% and you’ll be sending your amp into a meaty natural breakup by pushing the tubes on your amp. This can be used as a first stage overdrive or a second stage to maintain your other overdrives’ tone while giving more of everything you love.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- One knob that has plenty of tricks up its sleeve\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Buffer\/Enhancer for long cable runs or an always-on preamp\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Booster for solos, saturating another overdrive or overdriving your amp\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Rebranded from the Mr. Magic. Smaller enclosure.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 7mA, AND MEASURES 3.6\" x 1.5\" x 1\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702902997063,"sku":"650415211166","price":208.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Prestigeedited.jpg?v=1656439724"},{"product_id":"jhs-lucky-cat","title":"JHS Lucky Cat","description":"\u003ch4\u003e\u003cspan\u003e\u003cem\u003eThis item is no longer in production. We are leaving this page up for documentation purposes only. \u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003eTHIS ITEM HAS BEEN DISCONTINUED. \u003ca href=\"https:\/\/www.echoinox.com\/products\/hudson-electronics-broadcast-ap-ii\"\u003eCHECK OUT OUR DELAYS \u003cspan style=\"color: #2b00ff;\"\u003eHERE!\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/h4\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 2007, we released our very first delay pedal, the Pink Panther. That pedal was instantly recognizable with it’s bright pink case and shiny silver knobs. Unfortunately, not every cat has nine lives, and we only produced about 100 units before the chip set was no longer available, forcing the pedal out of production. It was also quirky and unreliable, as early designs tend to be. We decided to revisit this now beloved delay and rebuild it from the ground up. We now present a simple digital delay\/echo that has everything you need and nothing you don’t. This may be your lucky day!\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFEATURES \u0026amp; CONTROLS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe Lucky Cat delay has basic controls consisting of Time, Mix, Ratio, Repeats, Darken (EQ), and a Modulation toggle. Time is a manual control for the length of the repeats up to 1000ms. Mix controls the volume of the repeats, from fully clean signal to fully wet. Ratio controls the subdivision of the tap tempo with options of quarter note, dotted eighth note, eighth note, and triplets. Repeats controls the amount of repeats you will hear, from one repeat to infinite. The Lucky Cat will not do analog delay oscillation, but will do a musical digital oscillation when the repeats are maxed out and you play with the Time control. The Darken control works as an EQ for the repeats only. When fully clockwise the tone of the delay is the fully digital, unaffected sound. As you turn counter-clockwise the delay will darken in tone giving you an array of delay tones at your fingertips. The Modulation toggle has two modulation settings, Mod 1 and Mod 2, with the center setting disengaging the modulation. Mod 1 is a subtle modulation that gives the delay just the right amount of movement without being overwhelming. Mod 2 is a deeper modulation that gives you a seasick sound for those parts you want drenched in modulation.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCLEAN DIGITAL VS TAPE DELAY\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003eOn the left side of the Lucky Cat, you’ll find a dip switch for Vintage Tape\/Digital Clean tones. In Vintage Tape mode, you’ll find a more compressed slightly driven echo like vintage tape delays. In Digital Clean mode the echo is crisp and clean for those pristine and chirpy delay sounds. On the right side of the pedal, you’ll also find an external tap jack so you can control the tempo of your delay with an external tap pedal.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003e- 1000ms of classic digital delay.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- On board tap-tempo with ratio subdivision control.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Two modulation settings.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- EQ control for the repeats.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Tape\/Digital modes.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- External tap jack.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Diamond eyes.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eV1 = Formerly Pink Panther; larger enclosure; completely different controls.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Pink Panther reboot; current layout.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 (\u003cem\u003econt’d) \u003c\/em\u003e= Updated to Lucky Cat logo\/name; Pink and Blackout versions available.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 75mA, AND MEASURES 2.6\" x 4.8\" x 1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702916694087,"sku":"JHS037-LCAT","price":0.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/LuckyCatDelayedited.jpg?v=1656439808"},{"product_id":"jhs-whitey-tighty","title":"JHS Whitey Tighty","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eJHS Pedals is proud to present the Whitey Tighty compressor, our take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down. The Whitey Tighty is as simple as it gets while never getting in the way. At only 1”x3”, you’ll save so much space on your pedal board that you’ll be able to add to your wardrobe of effects with ease. And with the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTighten up your tone with the JHS Pedals Whitey Tighty!\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702936813639,"sku":"650415211852","price":208.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/WhiteyTighty.png?v=1656748152"},{"product_id":"jhs-bonsai-9-in-1-tubescreamer","title":"JHS Bonsai 9-in-1 Tubescreamer","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFollowing in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications. At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal. One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box! The Bonsai is exact replication, not emulation. When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eLETS TAKE A LOOK AT THE 9 MODES OF THE BONSAI BASED ON THE 9 PEDALS WE HAVE CHOSEN...\u003c\/h2\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eOD-1 - 1977\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTS-808 - 1979\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTS-9 - 1982\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eMSL, POWER OR L SERIES - 1985\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThough metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of. Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTS-10 - 1986\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eEXAR OD-1 1989\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTS-7 (+MODE) - 1999\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eKEELEY MOD PLUS - 2002\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eJHS STRONG MOD - 2008\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOur own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 20 MA, AND MEASURES 2.6\"X4.8\"X1.6\".\u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHE WORDS IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, AND KEELEY, AUDIO PRECISION MAY BE REGISTERED TRADEMARKS. THE JHS PEDALS BONSAI IS IN NO WAY AFFILIATED OR ENDORSED BY IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, KEELEY, AND AUDIO PRECISION.\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39706532642887,"sku":"650415211890","price":368.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/BonsaiEdited1.jpg?v=1656748890"},{"product_id":"jhs-pulp-n-peel-v4","title":"JHS Pulp N Peel V4","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been dreaming of. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedalboard, the pedal’s ¼”, balanced XLR outputs have you covered. This compressor\/preamp pedal sports a ton of tone-shaping power, so no matter what your compression needs are, the Pulp ‘N’ Peel V4 is your go-to solution.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHE EXACT COMPRESSION YOU’VE BEEN WAITING FOR\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWe know how much effort you put into getting your tone exactly right. That’s why we worked so hard to ensure the Pulp ‘N’ Peel V4 maintains your instrument’s natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note from your amplifier.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Improved detection circuit for smoother tones with added sustain\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Active EQ control that cuts or boosts high end\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Parallel Blend control balances your compressed and uncompressed signals\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWARM STUDIO-STYLE GRIT TO HELP YOU CUT THROUGH\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhether you’re looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you’re there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Dirt voiced to go from warm tone enhancement to gritty tonal foundation\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Low-profile gain control is safely located on the side of the pedal\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Works especially great on bass\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Increased output works as a fantastic full-frequency boost\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eONSTAGE, IN THE STUDIO, OR ANYWHERE ELSE\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNo matter what electric instrument you play, we’ve outfitted the Pulp ‘N’ Peel compressor\/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Standard ¼” instrument input and output\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- XLR\/DI balanced output for going direct to the board or interface (try it on acoustic and bass!)\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Ground-lift switch to eliminate hum and buzz (if dealing with unwanted ground loops when interfacing with other equipment)\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- High-quality “always-on” buffer\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Only two knobs; no logo; extremely rare.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Three controls; softer orange color; older orange slice logo.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV3 = Three controls; includes LBB via internal dip switch.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV4 = Four controls; added EQ knob, Dirt Toggle, and XLR output.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV4.5 = Buffer switch removed; buffered bypass switching added.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 32MA, AND MEASURES 2.6\"X4.8\"X1.5\"\u003c\/strong\u003e\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39952666558535,"sku":"650415212309","price":348.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/15_aa23af06-ea1b-46ae-9e9d-e920ad5aa265.png?v=1675542987"},{"product_id":"jhs-artificial-blonde-madison-cunningham-signature-vibrato","title":"JHS Artificial Blonde Madison Cunningham Signature Vibrato","description":"\u003cdiv id=\"block-6701c69907e8074f3a48\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003eWhen Madison recorded her second full-length album, \u003cem\u003eWho You Are Now\u003c\/em\u003e, her producer Tyler Chester was already in contact with us about getting a few modulation pedals to develop her new foundational sound. Madison ended up heavily using the JHS Emperor Chorus \/ Vibrato as her foundational and always on signature sound throughout those sessions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1665513307106_7168\" data-block-type=\"5\" class=\"sqs-block image-block sqs-block-image sqs-col-2 span-2 float float-right sqs-text-ready\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1675543050720_97\" class=\"sqs-block-content\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1675543050720_96\" data-test=\"image-block-inline-outer-wrapper\" class=\"image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n         sqs-narrow-width\"\u003e\n\u003cfigure id=\"yui_3_17_2_1_1675543050720_95\" class=\"sqs-block-image-figure\n              intrinsic\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1675543050720_94\" data-animation-role=\"image\" class=\"image-block-wrapper\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1675543050720_93\" class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigcaption class=\"image-caption-wrapper\"\u003e\n\u003cdiv class=\"image-caption\"\u003e\u003c\/div\u003e\n\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1665513307106_55692\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003eOver the next few years, Madison and Josh became good friends after Josh featured her on the JHS Show episode “Who Is Madison Cunningham?” Josh would often stop by her concerts as an unofficial guitar tech, building her boards and helping find solutions for sounds she wanted. During a sound check in Lawrence, KS, Josh noticed that even though her Emperor was always on and in vibrato mode, Madison kept reaching down to switch the settings to create another faster and deeper vibrato tone for a particular song. Sensing an opportunity to make it easier to use during live shows, Josh developed the idea for an entirely new stompbox that suited Madison’s needs, and soon she was touring with that first prototype.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMadison traveled doing live shows and sessions for her new album with the prototype for a full year (you may recognize it as the black nondescript stompbox labeled “BLONDE?”), but we’re releasing it officially as the newest member of the JHS lineup and as Madison Cunningham’s signature pedal: the Artificial Blonde.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAt its core, the Artificial Blonde is a very simplistic approach to Madison’s signature sound: a never off, always on, slightly 3D pitch vibrato sound. The secondary footswitch switches between the two speed\/depth preset sections. It’s a true pitch vibrato modulation pedal with two easy-to-access modes for live use. Simply put, this \u003cem\u003eis \u003c\/em\u003eMadison Cunningham in a box: just add a clean Fender-style amp and tune your guitar strings down!\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVOLUME -\u003c\/strong\u003e Controls the overall volume of the pedal. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eEQ -\u003c\/strong\u003e The EQ control is an active tilt EQ. Noon is flat. Turning to the left boosts lows and cuts highs, while turning to the right boosts highs and cuts lows.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eSPEED -\u003c\/strong\u003e Controls the rate of the vibrato. Left is slower, right is faster.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDEPTH -\u003c\/strong\u003e Controls the depth of the vibrato. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eINPUT -\u003c\/strong\u003e 1\/4” jack on the top right receives your instrument’s signal.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eOUTPUT MONO\/STEREO –\u003c\/strong\u003e 1\/4” jack outputs. Use the MONO output for a mono signal path or use both the MONO and STEREO output jacks for a 3D stereo soundscape.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePOWER -\u003c\/strong\u003e Uses 9V DC Negative Center. Do not use more than 9V DC. Damage may occur and your warranty will be voided.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBYPASS -\u003c\/strong\u003e Left footswitch turns the effect on and off. When off, the pedal is buffered bypass and both outputs pass the normal dry signal.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePRESET –\u003c\/strong\u003e Right footswitch changes the preset to A or B. On power up the default is preset B.  Each preset has the same speed and depth range and allows you to create two different switchable settings.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTHIS PEDALS MEASURES 4.7” X 3.5” X 1.5” AND CONSUMES 138MA\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\n\u003cstrong\u003eLEARN MORE ABOUT MADISON –\u003c\/strong\u003e\u003ca href=\"http:\/\/www.madisoncunningham.com\/\"\u003e\u003cstrong\u003e WWW.MADISONCUNNINGHAM.COM\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39952666722375,"sku":"650415212491","price":368.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/20_e81242e6-b0fa-4c58-97b1-cfecbc6973cc.png?v=1675543187"},{"product_id":"jhs-3-series-harmonic-trem","title":"JHS 3 Series Harmonic Trem","description":"\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eIn 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo” (which proved to be a misnomer, since it was a volume effect, not a pitch effect). Essentially, the amp’s signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe.  The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier.  Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHE JHS PEDALS 3 SERIES HARMONIC TREM RUNS ON 9V DC NEGATIVE CENTER POWER AND CONSUMES 65 MA.\u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39952667181127,"sku":"650415212545","price":165.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/18_8acdbaf6-374c-4d4f-a056-a3c3739f32a0.png?v=1675543352"},{"product_id":"jhs-3-series-octave-reverb","title":"JHS 3 Series Octave Reverb","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn the early 1980s, Brian Eno invented an effect called “Shimmer,” which was popularized in U2’s \u003cem data-mce-fragment=\"1\"\u003eThe Unforgettable Fire \u003c\/em\u003e(1984). The effect mixed ambient reverb and octave effects in the reverb’s decay.  The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space.  Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHE JHS PEDALS 3 SERIES OCTAVE REVERB RUNS ON 9V DC NEGATIVE CENTER POWER AND CONSUMES 65 MA.\u003c\/h3\u003e\n\u003ch3\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39952667279431,"sku":"650415212538","price":165.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/16_662b3340-ad5a-4579-b484-9083d0778755.png?v=1675543446"},{"product_id":"jhs-3-series-phaser-1","title":"JHS ROSS Phaser","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"product-description-heading\"\u003eWelcome to a new era of ROSS pedals. After countless hours of painstaking research and design, this pedal brings you the story, legacy and sound that made the original ROSS brand a timeless staple for guitarists and collectors worldwide. Featuring five classic ROSS circuits, this series offers something for every player. Each pedal is manufactured in a classic ROSS enclosure style at the JHS Pedals facility in Kansas City, MO, using the same stringent quality standards you’ve come to expect. Notable improvements over the vintage units include soft touch bypass, lower noise and a mode switch with two settings for added versatility. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe ROSS Phaser is a versatile and easy to use OTA-based phaser and is a faithful reproduction of the original ROSS circuit. This pedal excels at vintage phase tones: fast, slow and everything in between. If you need phasing that can sit perfectly in the mix, inspire a new riff or flawlessly replicate the past, this pedal is for you. \u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eControls: “Rate” adjusts the speed of the LFO (left is slower, right is faster). “Recycle” controls the amount of feedback from the phaser output stage to the input stage, emphasizing frequencies or resonance (left is less intense, right is more intense). The side push switch toggles between two modes: classic Analog Phaser and Univibe (simulating the late sixties Shin-Ei circuit).The footswitch activates the pedal via soft touch bypass switching and the status LED indicates that the circuit is active.\u003c\/li\u003e\n\u003cli\u003eJacks: The ¼” input and output jacks connect your guitar and amplifier. The power jack accepts standard 9V DC Negative Center power and consumes 42mA.\u003c\/li\u003e\n\u003cli\u003eThis pedal requires 9V DC negative center. 42mA consumption. Do not use more than 9V DC.\u003c\/li\u003e\n\u003cli\u003eDimensions: 3.5\" W x 1.7\" D x 5\" H\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"rte rte--spread-out product-description\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":40182379511879,"sku":"650415212576","price":259.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/91.png?v=1693988540"},{"product_id":"jhs-ross-compressor","title":"JHS ROSS Compressor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product-description-container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"rte rte--spread-out product-description read-mode\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe ROSS Compressor is an OTA-based, vintage style compressor. This is a faithful reproduction of the coveted “Era 2” Gray Box ROSS Compressor circuit. Possibly the most legendary and hyped compressor of its kind, we are excited to bring this design into a new era.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eControls: “Level” controls the volume (right is louder, left is quieter). “Sustain” controls the amount of compression\/sustain (right is more compressed\/sustained, left is less compressed\/sustained). When activated, the side push switch toggles between two modes: Standard and Bright. The Bright mode helps your guitar cut through the mix when you need a little extra clarity for darker pickups or amplifiers. The footswitch activates the pedal via soft touch bypass switching and the status LED indicates that the circuit is active.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJacks: The ¼” input and output jacks connect your guitar and amplifier. The power jack accepts standard 9V DC Negative Center power and consumes 37mA.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThis pedal requires 9V DC negative center. 46mA consumption. Do not use more than 9V DC.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 3.5\" W x 1.7\" D x 5\" H\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":40182580838471,"sku":"650415212552","price":259.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/97.png?v=1693989336"},{"product_id":"jhs-ross-fuzz","title":"JHS ROSS Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe ROSS Fuzz is a pedal that never existed in the previous ROSS history, but its circuit was pulled from the Kustom amplifiers also made by Bud Ross during his Kustom Electronics era. John Fogerty used the Kustom amp’s distortion for hit songs like “Run Through the Jungle” and “Fortunate Son”, and other artists like the Grateful Dead, Leon Russell, Johnny Cash, The Jackson Five, Carl Perkins, the Carpenters and Charley Pride depended on these amps for many of their signature sounds. This pedal is a tribute to that transistorized Kustom distortion effect. It’s a fairly unorthodox fuzz, not associated with classic topologies like the Fuzz Face, Tone Bender or Big Muff. It highlights a hidden moment in distortion history, allowing you to place a vintage tone in your modern rig.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eControls: “Level” controls the volume (right is louder, left is quieter). “Fuzz” controls the amount of fuzz\/distortion in the circuit (left is less, right is more). The side push switch toggles between two modes: Standard and More (More adds bass\/gain and results in a more full, heavy fuzz\/distortion tone). The footswitch activates the pedal via soft touch bypass switching and the status LED indicates that the circuit is active.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJacks: The ¼” input and output jacks connect your guitar and amplifier. The power jack accepts standard 9V DC Negative Center power and consumes 46mA.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThis pedal requires 9V DC negative center. 46mA consumption. Do not use more than 9V DC.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 3.5\" W x 1.7\" D x 5\" H\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":40182646440007,"sku":"650415212590","price":259.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/103.png?v=1693989586"},{"product_id":"jhs-ross-chorus","title":"JHS ROSS Chorus","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe ROSS Chorus is a bucket-brigade true-analog chorus which utilizes the V3207 BBD chipset. While this pedal excels at the vintage bucket-brigade chorus and vibrato tones you’ve heard for decades, these straightforward controls can also create a wide range of textures and are versatile enough for any style of music.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eControls: “Rate” controls the speed of the LFO (left is slower, right is faster). “Depth” controls the depth or perceived mix of the chorus effect (left is less, right is more). The side switch toggles between two modes: Classic Chorus and Pitch Vibrato (reminiscent of effect pedals like the BOSS VB-2). The footswitch activates the pedal via soft touch bypass switching and the status LED indicates that the circuit is active.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJacks: The ¼” input and output jacks connect your guitar and amplifier. The power jack accepts standard 9V DC Negative Center power and consumes 47mA.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThis pedal requires 9V DC negative center. 46mA consumption. Do not use more than 9V DC.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 3.5\" W x 1.7\" D x 5\" H\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":40182708600903,"sku":"650415212583","price":259.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/94.png?v=1693989826"},{"product_id":"jhs-ross-distortion","title":"JHS ROSS Distortion","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe ROSS Distortion is an op-amp hard clipper built around the classic 1970s topology seen in pedals like the MXR Distortion Plus, the DOD 250, the Proco RAT and the BOSS DS-1. While this pedal can be used in almost any situation, it excels at creating natural tube-like overdrive distortion and pushing your amplifier into natural breakup.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eControls: “Level” controls the volume (right is louder, left is quieter). “Distort” controls the amount of hard-clipping distortion (right is more distorted, left is less distorted). The side push switch allows the player to toggle between two different versions of the circuit produced during its fifteen year history: Germanium mode ( “Era 2” version) and Silicon mode ( “Era 3” version). The footswitch activates the pedal via soft touch bypass switching and the status LED indicates that the circuit is active.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJacks: The ¼” input and output jacks connect your guitar and amplifier. The power jack accepts standard 9V DC Negative Center power and consumes 40mA.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThis pedal requires 9V DC negative center. 42mA consumption. Do not use more than 9V DC.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDimensions: 3.5\" W x 1.7\" D x 5\" H\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":40182770368583,"sku":"650415212569","price":259.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/100.png?v=1693990072"},{"product_id":"jhs-legends-of-fuzz-series-mary-k","title":"JHS Legends of Fuzz Series Mary-K","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKay Musical Instruments was founded by Henry “Kay” Kuhrmeyer on July 1, 1931. Although Henry quickly shifted production focus to all types of stringed instruments (including basses, violas and guitars), they didn’t enter the guitar pedal market until the late 1960s with a series of knobless, treadle-based delightfully odd plastic pedals. Each of these four units (the Fuzz-Tone F1, Tremolo T1, Wah Wah W1 and Bass Boost B1) was housed in knobless, treadle-based enclosures allowing one parameter of each effect to be adjusted by foot. The Kay Fuzz Tone was most likely released in late 1968\/early 1969. Initially designed as a low-cost version of the Shin-ei\/Univox Superfuzz, this fuzz is one of the Edge’s go-to pedals. Fifty-four years later, JHS is releasing their spin on the Kay Fuzz Tone: the Mary-K. They’ve even added knobs and an expression pedal output for those who want to use it as it was originally intended.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVolume - Controls overall output volume. Left is less, right is more. \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrequency - Controls the frequency response. Left is darker, right is brighter. \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJHS Mode - Increases the fuzz level with more pronounced mids. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":40205833273415,"sku":"650415212514","price":308.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/48_af6c8041-9ea4-4907-989c-d2a250945ca0.png?v=1694937525"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/collections\/Artboard_2_7047bc25-46b5-4246-b682-be1f5ec623d8.png?v=1713538756","url":"https:\/\/www.echoinox.com\/collections\/jhs\/brands_jhs.oembed?page=3","provider":"Echoinox","version":"1.0","type":"link"}