{"title":"Electronic Audio Experiments","description":"\u003cp\u003e\u003cstrong\u003eElectronic Audio Experiments\u003c\/strong\u003e is an exploration in sound and texture via electronics. Founded in 2015 by guitarist and electrical engineer John Snyder, EAE focuses primarily on stompboxes for electric guitar and bass, with occasional ventures into amplification and synthesis.\u003c\/p\u003e\n\u003cp class=\"\"\u003eTheir products are imagined and assembled in a small workshop in Boston, MA by a close-knit team with strong ties to the world of audio. They offer a mix of unique, purpose-built designs and homages to forgotten circuits of the past—all engineered to exceed their high standards of quality and enrich the sounds of scrappy touring bands and discerning studio artists alike.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThey take great joy in making the tools to make art, and they hope you can share in that joy. \u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"electronic-audio-experiments-sending","title":"Electronic Audio Experiments Sending","description":"\u003cp\u003eSending is an analog delay that melds the archaic voice of bucket brigade devices with a fully modern toolbox of digital control. It embraces the character and idiosyncrasies of the medium while delivering high quality sound and performance-friendly features worthy of the modern musician.\u003c\/p\u003e\n\u003cp class=\"\"\u003eUsing two MN3005 BBDs and comprehensive analog processing techniques, Sending can delay a sound up to a full second without clock noise, and it can be pushed to even longer times for compelling sonic degradation. At the input is a discrete preamplifier capable of subtle enhancement or warm saturation that melds perfectly with the delay line. A dual-mode feedback filter shapes the repeats into deep pulses or dub-style bright echoes. Its flexible LFO engine can modulate the delay time to create gentle movement or musical chaos. Conducting this analog ensemble is a 32-bit, 100MHz processor granting deep user control, preset functionality, and MIDI access to every parameter.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSending is our love letter to the antiquated yet enduring technology of analog delay. As you explore its many shades of interplay between past and future, we hope you find it as immersive as we do.\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":40920768479303,"sku":"EAE001-SENDING","price":888.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/341.png?v=1716532768"},{"product_id":"electronic-audio-experiments-surveyor","title":"Electronic Audio Experiments Surveyor","description":"\u003cp class=\"\"\u003eThe Electronic Audio Experiments Surveyor is a compact re-interpretation of the Instrument Voicing Preamp (aka IVP), a cult classic and long discontinued rackmount preamplifier. The IVP is best known for its distinctively clangy tone and harsh attack at high treble settings—especially in conjunction with an aluminum neck guitar, single coil pickups, and full range speakers—but its unique solid-state voice transcends genre labels.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Surveyor features a unique, transformer-loaded “Tube Voice” distortion generator that is highly responsive to the frequency content of the input signal. This is achieved by placing a two-band shelving EQ \u003cem\u003ebefore\u003c\/em\u003e distortion is applied—the complete opposite of most drive pedals. Using this method, gain may be selectively applied to a specific frequency band: boost the treble for that signature clang, or maximize the bass for fuzz overload. This variety of saturated textures isn’t just for guitar, either! The Surveyor is equally at home on bass, synthesizers, drum machines, even vocals.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Black","offer_id":40920874811463,"sku":"EAE002-SURVEY","price":348.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/348.png?v=1716533225"},{"product_id":"electronic-audio-experiments-limelight","title":"Electronic Audio Experiments Limelight","description":"\u003cp\u003eLimelight is a dual channel overdrive developed in collaboration with LA-based punk band\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.toucheamore.com\/\"\u003eTouche Amore\u003c\/a\u003e. The distinctive bright, clear tones of guitarists Nick Steinhardt and Clayton Stevens form the foundation of TA’s impassioned brand of post-hardcore, letting their riffs morph effortlessly between serene clean passages and cacophonous blast beats. This pedal was originally developed to commemorate the release of their 2020 LP,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLament\u003c\/em\u003e, but since earned its place in a wide variety of guitar rigs spanning genres.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn preparation for the recording of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLament\u003c\/em\u003e, we worked with Nick and Clayton to create a new op amp overdrive with equal parts aggression and chime. While loosely based in the “breaker” lineage, we made significant changes to the circuit for superior articulation and a much wider range of gain. An independent front-end boost rounds out the package, perfect for adding power to clean tones or pushing the overdrive side into heavy distortion. While the primary goal was to help the band sound like their best selves, Limelight has a tone for everyone.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":40921008996423,"sku":"EAE003-LIME","price":348.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/354.png?v=1716533735"},{"product_id":"electronic-audio-experiments-longsword","title":"Electronic Audio Experiments Longsword","description":"\u003cp\u003eNote: EAE pedals take a long time to restock, so we usually just grab whatever design or color that’s available. While is usually the black design, we cannot guarantee what color it is all will be shipped on\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Electronic Audio Experiments Longsword is yet another contender in the endless void of op-amp based drive pedals—familiar but with some novel twists. Cascaded gain stages allow for the full range from clean boost to massive distortion, all without sacrificing tonal flexibility. The equalizer combines bass and treble shelving filters with an active, frequency-selectable midrange boost\/cut control. This lets the user sculpt a diverse array of tones and carve out a niche in even the most dense of mixes. The Longsword has a broad frequency response which makes it work equally well with guitar, baritone, and bass.\u003c\/span\u003e\u003c\/p\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":40921123553351,"sku":"EAE004-LONGS","price":348.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/360.png?v=1716534085"},{"product_id":"electronic-audio-experiments-model-fet","title":"Electronic Audio Experiments Model feT","description":"\u003cp\u003eThe Model feT is a transistor-based preamplifier designed around the legendary Sunn Model T amplifier. Those who have played the original know that while it excels at heavy tones when pushed, it is far more than just an amp for stoner rock and doom metal. In fact, on its own it is a fantastic mid-gain amplifier with a tone that is dark, yet clear and present—making it an exceptional pedal platform.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMost famous Model T tones come from putting a distortion or fuzz in front of the amp. Thus, the Model feT is designed to sound good on its own and with other pedals stacked in front. This pedal goes beyond the standard triode-to-JFET emulation approach with the inclusion of an emulated power amp. This broadens the range of gain and—in the true spirit of the original amp—allows for massive headroom and volume output. This greatly expands its capabilities beyond a typical drive pedal: the Model feT can be used directly into a power amp, cab simulation, or DAW.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Slate Gray","offer_id":40921370624071,"sku":"EAE005-MODEL","price":348.0,"currency_code":"SGD","in_stock":false},{"title":"Raw Aluminium","offer_id":40921370656839,"sku":"EAE005-MODELFETALU","price":348.0,"currency_code":"SGD","in_stock":false},{"title":"Concrete Sparkle","offer_id":40921370689607,"sku":"EAE005-MODELFETCONC","price":348.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/366.png?v=1716534591"},{"product_id":"electronic-audio-experiments-halberd","title":"Electronic Audio Experiments Halberd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Electronic Audio Experiments Halberd is a discrete transistor overdrive circuit designed for the greatest possible dynamic range and note clarity. It fills a special niche our family of drive pedals—a medium-gain device with the harmonic fullness and grind of a much higher-gain pedal, one that stands apart from both the brazen buzz of op amp distortion and the smooth breakup of JFET amp emulations alike.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Halberd’s character comes from over a dozen transistors working in harmony. It is familiar but unique, sitting somewhere between blown-up tweed and an overloaded console. Rather than resigning itself to transparency, it imparts its character in a collaborative fashion, responding in unique ways to different instruments and amplifiers but not without leaving its distinct fingerprints. And of course, it is equally at home on guitar, bass, and synthesizer.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Rust Never Sleeps","offer_id":40921592201287,"sku":"EAE006-HALRUST","price":348.0,"currency_code":"SGD","in_stock":false},{"title":"Green Dragon","offer_id":40921592266823,"sku":"EAE006-HALGREEN","price":348.0,"currency_code":"SGD","in_stock":false},{"title":"Acid Etched","offer_id":40921592299591,"sku":"EAE006-HALACID","price":348.0,"currency_code":"SGD","in_stock":false},{"title":"Black","offer_id":40921592332359,"sku":"EAE006-HAL","price":348.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/372.png?v=1716535099"},{"product_id":"electronic-audio-experiments-citadel","title":"Electronic Audio Experiments Citadel","description":"\u003cp\u003eThe Electronic Audio Experiments Citadel is a preamp-style overdrive inspired by the everlasting sounds of British amplifiers from the '60s and '70s. Rather than emulating a specific model, it encompasses our favorite parts of a whole generation of amplifiers including warm piano-like cleans, bright clear overdrive, and sizzling lead tones.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Citadel began as a series of experiments on our Model feT pedal. Like any tube amp, there are ample opportunities for modifications. After all, the original Model T was itself a modified take on the Super Bass sound, delivering a distinct variety of the plexi flavor with fuzzy breakup and a huge low frequency punch. So, what if we flavored it our own way? Once Brad completed his \"Marsha\" prototype, it was on. In a way, you can almost think of the Citadel as a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ere-plexi-fied\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eModel T sound, trading low end sludge for a sparkly midrange focus. In another way, you can think of it as what we’d do if the original Model T wasn’t too sacrosanct to modify.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFinally, like our Model feT, the Citadel emulates both the preamp and power amp sections of a tube amp to provide a full-bodied overdrive that feels powerful and responds wonderfully to boosts, drives, and fuzzes in front. It can be used either a conventional drive pedal or as the workhorse of an ampless signal chain.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":40922056818759,"sku":"EAE007-CITA","price":348.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/381.png?v=1716536116"},{"product_id":"electronic-audio-experiments-prismatic-wall","title":"Electronic Audio Experiments Prismatic Wall","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrismatic Wall is a sympathetic resonator designed to transmute incoming sounds into the vibrations of an illusory bank of tuned strings. Part reverb and part synthesizer, its metallic yet warm timbres span from the subtle harmonic aura of a third bridge to the rich chromatic suspensions of a grand piano. The simulated vibrations form a sustaining spectral extension of your instrument that retains a tangible physicality despite its surrealist underpinnings. The resonances are reactive in nature: playing in tune excites specific pitches, while percussive attacks excite all the strings in tandem.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePrismatic Wall utilizes a physical string model formed by tuned delay lines. Tuning is achieved by varying the sample rate of the system, manipulating the physical model in decidedly non-physical ways. The Mode selector determines the interval spacing between strings, with each configuration carefully selected to maintain a sense of harmonic ambiguity. Damping and Decay change the brightness and sustain of the strings, ranging from short plucks to infinite drones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe hardware combines primitive DSP with analog saturation and filtering for a sonic character untethered from a particular era. A fully digital user interface enables all parameters to be controlled via MIDI, saved as presets, and even modulated by the onboard LFO. In addition, the Morphing function enables controllable transitions between two distinct settings via the Aux footswitch or an expression\/CV source.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePrismatic Wall is a distinct instrument in its own right, a device that refracts musical intent into a manifold of harmonic colors. Will you traverse its intricate layers?\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Echoinox","offers":[{"title":"Default Title","offer_id":41040685006919,"sku":"EAE008-PRISWALL","price":558.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/393.png?v=1720004520"},{"product_id":"electronic-audio-experiments-bard","title":"Electronic Audio Experiments Bard","description":"\u003cp\u003eThe Bard is an homage to one of our favorite misunderstood amplifiers of the past: the Music Man HD130. Manufactured from 1974 to 1984, these amps combined a solid state preamp with a tube power amp, an unusual choice that lead to them being gravely underrated in their time. But the HD130 and its siblings are some of our favorite amps thanks to their pristine (but not quite vintage) clean tones, trashy overdrive, and very wide frequency response that suits both guitar and bass. Because we love a weird passion project, we editorialized our favorite parts of this cult classic into a compact overdrive pedal: The Bard.\u003c\/p\u003e\n\u003cp\u003eThe Bard’s circuitry resembles a classic 1960s American amplifier reimagined with op amps in the place of tubes. The clean tones are clear and sparkly, with a gentle dip in the midrange thanks to the passive tone stack. Increasing Drive delivers medium gain sounds with a glassy edge, especially when the Bright switch is active. At the highest Drive settings, the op amps distort in a way that is unapologetically not “tube-like”—a hallmark of the original amps. The tone stack is located before the primary gain stage and can emphasize specific textures within the overdriven sound. The Bard is a versatile performer that will effortlessly traverse between traditional and angular stylings.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize: \u003c\/strong\u003e121mm x 66mm x 40mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBypass: \u003c\/strong\u003eRelay switching with true bypass\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance @ 1 Khz:\u003c\/strong\u003e 200kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance @ 1 Khz:\u003c\/strong\u003e \u0026lt;5kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 9V DC, 2.1 mm center negative barrel. The current draw is \u003cstrong\u003e60 mA\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWe recommend a regulated, isolated power supply rated for 100 mA minimum. Our pedals do not accept batteries. Use of an incorrect power supply may cause permanent damage.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eLevel:\u003c\/strong\u003e turn clockwise to increase the output volume. Handy as a boost!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrive:\u003c\/strong\u003e Increases the gain, from clean to touch sensitive to heavily overdriven. The taper of the control is highly influenced by the EQ settings and the position of the Bright\/Normal switch.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow:\u003c\/strong\u003e passive bass control, with about 15dB of range below 300Hz. Higher settings will make the drive more fuzzy.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh:\u003c\/strong\u003e passive treble control, approximately 15dB of range between 1kHz-4kHz. Higher settings will increase gain for high frequencies, sharpening the drive sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBright\/Normal Switch: \u003c\/strong\u003eChanges the treble contouring of the Drive control. At low drive settings, adds a glassy character. As drive is increased, the switch is more subtle. At maximum drive, the switch makes no discernible difference in the sound.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Echoinox","offers":[{"title":"Default Title","offer_id":41269982494791,"sku":"EAE009-BARD","price":298.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/82_27eaace4-df72-4f9c-9e38-febc5622f21c.png?v=1731605996"},{"product_id":"electronic-audio-experiments-mirror-house","title":"Electronic Audio Experiments Mirror House V2","description":"\u003cp\u003eMirror House creates two pitch-shifted copies of an incoming signal which veer off into equal and opposite directions. This diametric approach to pitch shifting is capable of weird detuning, disorienting microtonal clusters, chords of parallel harmony, or ugly, strange dissonance. (It can also be a chorus.)\u003c\/p\u003e\n\u003cp\u003eThe two pitch voices can be shifted both statically and dynamically, with a selection of ranges and behaviors. Envelope controlled pitch-shifting creates dynamic vibrato, glissando, and divebomb effects as the voices are pulled apart and come back together. In Flutter mode, Animate controls a random LFO, for a tastefully off-kilter chorus and vibrato. Detune and Flutter modes each have a static range of a semitone, while Shift mode is quantized up to an octave in both directions. Depending on your harmonic tendencies, this particular array of features is perhaps an invitation, perhaps a provocation.\u003c\/p\u003e\n\u003cp\u003eThis pedal was originally developed in collaboration with our friends in the band Pile, and as of Version 2 is now available as a steady offering in our product catalog. This new version features the new Flutter mode, improved envelope sensitivity, and a reduced noise floor compared to Version 1.\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eMix - relative level between the dry and effected signals. Turn clockwise to increase the amount of pitch-shifted signal. At maximum, no dry signal is present.\u003c\/p\u003e\n\u003cp\u003eAmount - amount of static pitch shifting. Turn clockwise to move the two voices symmetrically away from the original signal. The upper voice increases in pitch, while the lower voice decreases in pitch.\u003c\/p\u003e\n\u003cp\u003eAnimate - additive modulation applied to the Amount control. Turn clockwise to increase the amount of modulation. In Shift and Detune modes, this is envelope-based. In Flutter mode, this is a random LFO.\u003c\/p\u003e\n\u003cp\u003eVoices - mix between higher and lower pitch voices. In the center position, this is an equal mix. Turn clockwise to focus on the higher voice, and turn counterclockwise to focus on the lower voice. This will also influence the directionality of envelope motion.\u003c\/p\u003e\n\u003cp\u003eMode (toggle) - offers three modes:\u003c\/p\u003e\n\u003cp\u003eShift (Up): the Amount knob sets the amount of pitch shifting, in quantized semitone steps up to an octave.\u003c\/p\u003e\n\u003cp\u003eFlutter (Middle): functions similarly to Detune mode, but the Animate knob controls a random LFO. Good for chorus and vibrato sounds.\u003c\/p\u003e\n\u003cp\u003eDetune (Down): the Amount knob shifts each voice from unison up to a semitone.\u003c\/p\u003e\n\u003cp\u003eChangelog\u003cbr\u003eV2 (2025)\u003c\/p\u003e\n\u003cp\u003eUpdated bypass to use a relay\u003c\/p\u003e\n\u003cp\u003eImproved envelope tracking for the Shift and Detune modes\u003c\/p\u003e\n\u003cp\u003eReduced noise in DSP signal path\u003c\/p\u003e\n\u003cp\u003eArtwork updated\u003c\/p\u003e\n\u003cp\u003eAdded Flutter mode\u003c\/p\u003e","brand":"Echoinox","offers":[{"title":"Default Title","offer_id":42021817647175,"sku":"EAE010-MIRRORH","price":348.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/62_fcef2d50-9d94-4684-b289-eb06fd72aabe.png?v=1758228243"},{"product_id":"electronic-audio-experiments-halberd-benson-germanium-boost","title":"Electronic Audio Experiments Halberd Benson Germanium Boost","description":"\u003cp\u003e\u003cspan\u003eWe have been longtime mutual admirers of the fine folks at Benson Amps. To commemorate both Benson Fest and our camaraderie, we cooked up this 2-in-1 combo pedal featuring the Germanium Boost and the Halberd.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Halberd is a staple of our lineup, delivering transistor-flavored overdrive with a distinctive weight and clarity that make it hard to turn off. The Germanium Boost is a master class in elegant electronic design, containing an automatic biasing circuit that elevates even the worst old stock transistor into a colorful gain stage. As soon as we got our hands on a Germanium Boost for the first time, we knew these circuits were made for each other.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoth sides are individually switchable. By default, the Boost is fed into the Halberd—it’s the perfect way to kick the drive sound into high gear. To add further versatility, we broke out separate inputs and outputs for each pedal. The output of the Boost is normalled to the input of the Halberd by default, but you are free to route them any way you like. Put other pedals between them, swap the order, even run them in parallel in a dual mono configuration.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe artwork features a medieval spin on the iconic Benson amps floral tolex pattern, serving as a visual expression of our mutual mind meld. We had fun bringing this pairing to life, and we hope you enjoy it as much as we do.\u003c\/span\u003e\u003c\/p\u003e","brand":"Echoinox","offers":[{"title":"Default Title","offer_id":42023379632199,"sku":"EAE011-HALBOOST","price":488.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/69_b4781e3b-591e-451d-974e-2d6edcbcfe8e.png?v=1758144387"},{"product_id":"electronic-audio-experiments-greathammer","title":"Electronic Audio Experiments Greathammer","description":"\u003cp\u003e\u003cstrong\u003eThe Electronic Audio Experiments Greathammer\u003c\/strong\u003e is a bass-focused overdrive that brings a distinct flavour of solid-state thunder. A bass drive and preamp built on an homage to a beloved solid-state bass amplifier, it delivers noise-rock thunder with key augmentations for the modern bassist — and with a gain control spanning a 50dB range, it can be restrained or rowdy.\u003c\/p\u003e\u003chr\u003e\u003ch3\u003eNOISE-ROCK THUNDER, MODERNISED\u003c\/h3\u003e\u003cp\u003eWe took cues from a beloved 1970s Canadian bass amplifier, but we did not shy away from redesigning entire circuit blocks from scratch. Without taking away the classic piano-like attack that defined 90s noise rock, we expanded the tonal range to suit more tasteful playing or filthy, down-tuned mayhem. Critically, our circuit can achieve far deeper low-frequency extension than its progenitors — all without the unnatural, disconnected feel of a traditional clean blend.\u003c\/p\u003e\u003cp\u003eThe Greathammer is equally effective in front of an amplifier or as a dedicated preamp. 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Reverse-polarity and over-voltage protected to 20V. No battery.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electronic Audio Experiments","offers":[{"title":"Default Title","offer_id":42952321400903,"sku":"EAE013-GHAMMER","price":348.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/unnamed_b82e9bc1-31f8-4148-91c7-ab5a1a332d87.jpg?v=1783744123"},{"product_id":"electronic-audio-experiments-glaive","title":"Electronic Audio Experiments Glaive","description":"\u003cp\u003e\u003cstrong\u003eThe Electronic Audio Experiments Glaive\u003c\/strong\u003e is the most dangerous gain device in the EAE lineup — an octave fuzz with a blistering 80dB of gain and a distinctive voice that solidly occupies the intersection of fuzz and distortion. 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