{"title":"As Seen On John Mayer's Board","description":"","products":[{"product_id":"source-audio-true-spring-reverb","title":"Source Audio True Spring Reverb","description":"\u003cp\u003e\u003cspan\u003eTurn on to the vintage charm of natural spring reverb coupled with pulsing tremolo.\u003c\/span\u003e\u003cspan\u003e Source Audio doesn’t depend on the off-the-shelf reverb effects processors found in many modern reverb pedals, we meticulously \u003c\/span\u003e\u003cspan\u003ecraft every one of our proprietary effects engines and load them to high-powered, 56-bit Sigma DSP.  Our two man\u003c\/span\u003e\u003cspan\u003e engineering team of Bob Chidlaw and Jesse Remignanti put years of collective man-hours into capturing every nuance and idiosyncrasy of the spring reverb and tremolo effects from some of the music gear industry’s most iconic guitar amps and outboard gear. The result is indisputable sound quality with magnificent tonal depth and precision.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"wsite-content-title\"\u003eThe Spring Reverbs\u003c\/h2\u003e\n\u003cdiv class=\"paragraph\"\u003eThe True Spring’s reverb effects are based on a mechanical design originated by the Hammond Organ Company™ in the late 1930s. This stark design uses a pair of input and output transducers to inject an instrument’s dry signal into an actual set of spring coils and capture the very distinct reverberations as the sound bounces back and forth within the springs. Of course, Leo Fender adopted this design in the 1960s with the some of his \"blackface\" amplifiers and a revolution was born.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eShort Spring Reverb\u003c\/strong\u003e: Modeled after the unmistakable twang of \"blackface\" amplifiers of the 1960s. After extensive research we found tremendous diversity in the spring reverb sounds of a variety of amps. Some offered a tighter, less animated tone while others sounded “drippier,” with longer sustain and livelier reverb trails. The\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSHORT\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSpring reverb engine offers a taut sound with a quick decay and smooth trails.  \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLong Spring Reverb\u003c\/strong\u003e: Produces long and deep reverb decays with noticeable “drip” and highly animated trails. The\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLONG\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSpring engine is not as dramatic as the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTANK\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eReverb engine, but does offer an extremely authentic representation of some of the livelier reverb tanks found in vintage combo amps.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTank Spring Reverb (Outboard Spring)\u003c\/strong\u003e: Captures the unmistakable effect of the tube driven outboard spring tanks of the 60s. The sound of reverb tanks like the classic Fender 6G15™ are characterized by their “drippy” attack and animated trail. This original two-spring design produces a bouncing, delay like sound inseparable from the early days of surf rock and spaghetti western soundtracks. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"1263\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/Y-a3GZG6jII\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2 class=\"wsite-content-title\"\u003eThe Tremolos\u003c\/h2\u003e\n\u003cdiv class=\"paragraph\"\u003eThe True Spring Reverb also allows you to combine any of its iconic spring reverbs with any of the pedal's three tremolo effects. The True Spring's tremolos are the same organic effects that originally appeared in our Vertigo Tremolo - the winner of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGuitar Player’s\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e“Hall of Fame 2015” and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePremier Guitar’s\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e“Premier Gear Award.”\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOpto Tremolo:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOptical tremolo (a.k.a. “Photocell Tremolo”) is the effect found in many combo amps of the 1960s. This version of tremolo relies upon a neon light bulb and a light dependent resistor called an \"optocoupler.\" The non-symmetrical aspects of the light and the optocoupler give the tremolo a distinct choppy character. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHarmonic Tremolo:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThis unique effect first appeared in Fender™  “brownface” amps made between 1959 and 1963, which alternately modulated the levels of bass and treble frequencies in the audio signal. The result is a very pleasing and complex tremolo that has characteristics reminiscent of a phaser.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBias Tremolo:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThis approach to tremolo involves using an LFO to modulate the bias voltage of the tubes in an amplifier. This essentially pushes the tubes in and out of saturation. The result is a smooth amplitude modulation with a mild overdrive created by the tube saturation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFEATURES:\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThree Distinct Spring Reverb and Tremolo Effects.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo Modes of Operation\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– Use the pedal in\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStandard Mode\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor a classic (non-preset) stompbox experience or turn on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePreset Mode\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand save a user preset (including reverb\/tremolo effects and knob positions) to each of the three toggle switch positions. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible Stereo Routing\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– The True Spring is equally at home in a mono or stereo rig. The pedal’s stereo inputs and outputs offer a variety of routing options such as Stereo to Stereo, Mono to Mono, Mono-to-Stereo, Stereo Sum-to-Mono and External Loop Mode. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUniversal Bypass\u003c\/strong\u003e — Select Active Analog (Buffered) or True Bypass.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecondary Tremolo Controls\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- Press and hold the CONTROL INPUT button to access the True Spring's tremolo effects (DWELL knob controls tremolo DEPTH \/ TONE knob controls tremolo RATE \/ toggle switch selects tremolo type).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExpression Control\u003c\/strong\u003e — Compatible with Source Audio expression pedals and the Hot Hand 3 Universal Wireless Effects Controller. Assign up to three simultaneous parameters with editable depth and direction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExternal Tap Tempo\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e–\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eUse the Source Audio Tap Switch to tap in the tremolo rate with a choice of four different beat divisions (quarter, eighth, triplet, and sixteenth).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExternal Tremolo Engage and Bypass –\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eUse the Source Audio Tap Switch to engage or disengage the tremolo effects on top of an active spring reverb.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNEURO EDITOR SOFTWARE:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConnect the True Spring Reverb to the Neuro Mobile App (a free download for iOS and Android) or the Neuro Desktop Editor (a free download for Mac or Windows computers) and explore the power of effect downloading, customization, and sharing that comes with every One Series pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterchangeable Algorithms\u003c\/strong\u003e — Upload any of the additional reverb or tremolo effects directly to the pedal at no additional charge.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustomize Effects\u003c\/strong\u003e — Tweak an additional set of parameters including advance EQ, pre-delay, diffusion, reverb modulation, virtual spring length, and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSave and Share Customized Presets\u003c\/strong\u003e — Once you’ve fine-tuned an effect, save it to your personal effects collection in the cloud and share it with the growing community of Neuro users.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDownload Presets\u003c\/strong\u003e — Explore Source Audio’s ever-expanding library of effect presets. Choose from Source Audio Factory presets or presets created and published by members of the Neuro Community.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal Routing Options\u003c\/strong\u003e — Re-route the stereo Inputs and Outputs in a number of different ways including Auto Detect, True Stereo, Mono to Stereo, External Effects Loop, and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSimple Connection\u003c\/strong\u003e — The Neuro Mobile App. connects with the True Spring via the mobile device’s headphone jack and Stereo Input 2 on the pedal. A Neuro App connector cable (1\/8” to 1\/4”) is included with the pedal.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Connection\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e– Use the pedal’s mini USB port to connect the True Spring to the Neuro Desktop Editor, which can be used to edit presets or download the latest pedal firmware.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMIDI FEATURES:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe True Spring Reverb also features full MIDI capability and simplicity when coupled with the Neuro Hub (formerly Soundblox Hub).\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreset Saving\u003c\/strong\u003e – Save up to 128 effect presets.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti Pedal Scene Saving\u003c\/strong\u003e – Connect up to five One Series and Soundblox 2 pedals to the Neuro Hub and create 128 multi pedal scenes, recallable via MIDI program change messages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExternal Expression Control\u003c\/strong\u003e – Connect the Neuro Hub to any Source Audio expression pedal, Hot Hand 3 Wireless Effects Controller or third party TRS (Tip Hot) expression pedal and manually control effect modulation or assign individual or simultaneous expression control to any adjustable parameter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMIDI Clock\u003c\/strong\u003e – Sync your tremolo rate with external MIDI clock messages.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSPECIFICATIONS:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIncludes 9v DC power supply (300mA \/ Negative Tip)\u003c\/li\u003e\n\u003cli\u003eIncludes 1\/8” to 1\/4” cable for Neuro Mobile App connection.\u003c\/li\u003e\n\u003cli\u003ePower Consumption — 165mA\u003c\/li\u003e\n\u003cli\u003eUSB port — Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software.\u003c\/li\u003e\n\u003cli\u003eBrushed anodized aluminum housing.\u003c\/li\u003e\n\u003cli\u003eDimensions: L: 4.5 in.\/11.4cm x W: 2.75 in.\/7cm x H: 2 in.\/5.1cm (including knobs)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Source Audio","offers":[{"title":"Without Tap Tempo Switch","offer_id":32351549751367,"sku":"890729001545","price":338.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/files\/Untitled_2500x2500px_42511779-dd2a-45e2-a68d-05c26e65995e.png?v=1716302269"},{"product_id":"dawner-prince-boonar","title":"Dawner Prince Boonar (Binson Echorec) Drum Echo Delay","description":"\u003cdiv\u003e\n\u003cp class=\"embed-container\"\u003e\u003cem\u003e\u003cspan\u003e\"The Boonar is very much like an Echorec for the 21st century with FET inputs to simulate tube dirt on the repeats and a digital DSP unit controlling the virtual magnetic drum. It is dark, cavernous and unpredictable with huge range of tones available from slapback all the way to self-oscillating madness.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"embed-container\"\u003e\u003cem\u003e\u003cspan\u003e\"The Boonar will be hard to beat and with the small footprint in mind, the full set of controls and more than convincing tone, you don’t need to look any further for the full Live at Pompeii and Dark Side of the Moon experience.\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"embed-container\"\u003e\u003cem\u003e\u003cspan\u003e\"An endlessly fascinating, occasionally unpredictable and always beautiful sounding digital simulation of the classic Binson Echorec, which comes with David Gilmour's seal of approval.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ca rel=\"noopener noreferrer\" title=\"The Guitar Magazine Boonar Review\" href=\"http:\/\/www.theguitarmagazine.com\/gear\/effects\/dawner-prince-electronics-boonar\/\" target=\"_blank\"\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWhen we decided to revive one of the finest magnetic echo-delay machines ever built, we knew it will be everything but an easy task. Months of research, in-depth study, development and fine tuning were needed to bring it back in all its fame.\u003c\/p\u003e\n\u003cp\u003eBoonar™ is an effects pedal precisely designed to deliver sound and feel of the legendary\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener noreferrer\" title=\"Binson Echorec\" href=\"https:\/\/en.wikipedia.org\/wiki\/Binson\" target=\"_blank\"\u003eBinson Echorec\u003c\/a\u003e, a multi-tap magnetic drum echo unit. Everything is in there and more: from thick, juicy tube tone, glorious multi-dimensional echo repeats melted with haunting reverb decays, variable delay time up to a full second and separate playback heads switching system to an amazing and distinctive external looks dominated by a gold finish and green pulsating \"magic-eye\" level indicator, all packed in an incredibly compact stompbox form.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBoonar shares \u003c\/span\u003ethe same analog signal path as original Echorec but we used high voltage driven FETs as tube emulators and replaced magnetic memory drum with a DSP unit. We developed a special DSP code that faithfully replicates all the characteristics of the actual Binson memory system that we named a virtual magnetic drum.\u003c\/p\u003e\n\u003cp\u003eReveal an authentic Binson sound and enjoy in magical echoes of the past!\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFEATURES:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eVOLUME echo\/repeat\/swell\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003econtrols the output volume of the delayed signal coming from the playback heads. This control is based on Input control setting.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBASS\/TREBLE\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003eadjusts the EQ of the delay signal. Just like in original Echorec machine, this effect is subtle, changing from darker to brighter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSWELL (LENGTH OF SWELL)\u003cbr\u003e\u003c\/strong\u003esets the amount of regeneration\/number of repeats from single repeat (slap back delay-Echo mode) of each playback head to infinite. On the edge of self - oscillation Boonar will start to produce those specific luscious swells that bubble, creating a complex multi-dimensional wall of sound.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDRUM SPEED\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003esets the rotational speed of the virtual magnetic drum which is directly proportional to the delay time of the machine. Unlike Binson Echorec with fixed drum speed and delay time of 300ms max on the 4th playback head, Boonar provides delay times from ~40 ms on the 1st playback head up to a full second (1000 ms) on the 4th playback head! Fully clockwise setting corresponds to the fastest drum speed hence shortest delay times. Binson Echorec delay time setting is at 3 o'clock.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDRUM AGE\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003ethis control adds all those sweet aging characteristics specific to Binson Echorec. When new Echorec repeats are bright, metallic sounding and repeat pretty accurately since magnetic drum was quite an improvement over magnetic tape. But with aging there is a slight loss in volume and high frequencies due to a wear\/poor playback heads alignment and a very unique modulation is introduced in the delay signal. This modulation is mostly caused by worn mechanical parts that start to irregularly drive the memory disc\/drum and unlike other delay modulations this one is more of a vibrato than a chorus effect.\u003cbr\u003eWith Drum Age control set to zero (fully clockwise), there is a minimum aging effects present in the delay signal. Increasing it to 12 o'clock will add a subtle amount of modulation producing a pleasant wow effect, while on maximum will introduce a nice warble with noticeable loss in high frequency and volume on the playback heads. Another important characteristics is that Drum Age modulation frequency (the rate of the warble effect) is directly proportional to the Drum Speed - as the drum speed is increased, so is the rate of the warble and vice versa.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA lot of time and hard work went into recreating all those characteristics, meaning carefully measuring all the parameters on the actual machines and transferring them into the Boonar's DSP - \u003cem\u003evirtual magnetic drum\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eINPUT CONTROL\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003econtrols the level of the input signal to the delay path. This control enables Boonar to accept all kinds of instruments with various signal levels on the input. Cranking the Input Control all the way up will produce those beautiful overdrive effects on the delay, specific to the Binson Echorec.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLAYBACK HEADS\u003cbr\u003e\u003c\/strong\u003eBinson Echorec had a 12-position rotational switch that was used to select different playback heads and combinations for single and multi-tap delay. We wanted to overcome that limitation and added a separate playback heads switches for a maximum of 16 possible head combinations. All four playback heads outputs are true analog.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLEVEL INDICATOR\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003eThe Level Indicator called a \"magic-eye\" displays the level of input signal and repeats.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSWELL\/REPEATS\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003eswitches between standard Repeats mode - a multiple repetitions depending on the Swell control potentiometer and a Swell mode which puts a portion of signal from all four playback heads into the output mixer to produce those reverb - like, \"cathedral tone\" effects.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTRAILS\/TRUE BYPASS\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003eBoonar utilizes both True bypass and Trails mode simply interchangeable by setting internal DIP switches according to the provided scheme. Trails mode keeps Boonar's preamp and output buffer engaged keeping that juicy Binson Echorec tube tone always on, and when bypassed echoes keep repeating until they naturally decay, depending on the Swell potentiometer setting. Trails mode is factory preset.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDRY VOLUME (KILL DRY)\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003einternal trim pot sets the level of the dry signal coming from the preamp into the output mixer. It is factory set to unity gain.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMODERN\/ORIGINAL\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003einternal DIP switch sets the input impedance from very low - 47K Ohm in Original mode (Binson Echorec mode) to 1M in Modern mode which brings more sparkle, dynamics and a bit more output volume.\u003cbr\u003eModern mode is factory preset.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnical Specifications:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eMkII model\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePower Input Voltage: 9V DC\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePower input connector: 5.5mm \/ 2.1mm barrel connector (Center Negative)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePower Consumption: ~ 180mA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSize: 4.4” x 2.3”\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dawner Prince","offers":[{"title":"Default Title","offer_id":32416969195591,"sku":"DPRINCE005-BOONAR","price":488.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/1_5c008971-d5d2-4d2a-9e1b-36e7d5b6b4ca.png?v=1593611537"},{"product_id":"universal-audio-golden-reverberator","title":"Universal Audio Golden Reverberator","description":"\u003ch2 data-mce-fragment=\"1\"\u003eVintage Reverb Effects Beyond Any Other Stompbox.\u003c\/h2\u003e\n\u003cdiv class=\"text-centered\"\u003e\n\u003ch3\u003eHarnessing more than 20 years of reverb modeling expertise, UAFX Golden Reverberator puts a trio of iconic reverbs right at your feet. The tube-driven spring reverb of classic ’60s guitar amps. The dense and haunting sound of ’50s studio plate reverbs. The endless algorithmic wonder of early digital reverb hardware.\u003cbr\u003e\u003cbr\u003eBuilt upon powerful UAFX dual‑engine processing and unprecedented levels of sonic authenticity, Golden Reverberator is a flagship, no‑compromise reverb unit, built to inspire you for decades.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spacer spacer--small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"features\"\u003e\n\u003ch2\u003eNOW YOU CAN:\u003c\/h2\u003e\n\u003cdiv class=\"features__columns\"\u003e\n\u003cdiv class=\"features__column\"\u003e\n\u003cdiv class=\"features__item--with-image features__item--no-text\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eGet the unmistakable drip of three \"golden unit\" spring reverb tanks, pulled from classic '60's American guitar amps\u003c\/h2\u003e\n\u003cspan\u003e\u003cpicture\u003e\u003csource media=\"(max-width: 768px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_amp_mob_@2x.jpg\"\u003e\u003csource media=\"(max-width: 769px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_amp.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_amp_@2x.jpg 2x\"\u003e\u003cimg src=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_amp.jpg\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_amp.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_amp_@2x.jpg 2x\" alt=\"\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"features__item--with-image features__item--no-text\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eExplore the dense, haunting sound of three German studio plate reverbs sourced from The Plant studio\u003c\/h2\u003e\n\u003cspan\u003e\u003cpicture\u003e\u003csource media=\"(max-width: 768px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_plates_mob_@2x_1.jpg\"\u003e\u003csource media=\"(max-width: 769px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_plates_1.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_plates_@2x_1.jpg 2x\"\u003e\u003cimg src=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_plates_1.jpg\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_plates_1.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_plates_@2x_1.jpg 2x\" alt=\"\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"features__item--with-image features__item--no-text\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eSculpt huge, three-dimensional tones with exact, bit‑for‑bit vintage digital reverb algorithms\u003c\/h2\u003e\n\u003cspan\u003e\u003cpicture\u003e\u003csource media=\"(max-width: 768px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_3d_sound_mob_@2x.jpg\"\u003e\u003csource media=\"(max-width: 769px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_3d_sound.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_3d_sound_@2x.jpg 2x\"\u003e\u003cimg src=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_3d_sound.jpg\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_3d_sound.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_3d_sound_@2x.jpg 2x\" alt=\"\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"features__column--right\"\u003e\n\u003cdiv class=\"features__item--with-image features__item--no-text\"\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cpicture\u003e\u003csource media=\"(max-width: 768px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_silent_switching_mob_@2x_1.jpg\"\u003e\u003csource media=\"(max-width: 769px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_silent_switching_1.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_silent_switching_@2x_1.jpg 2x\"\u003e\u003cimg src=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_silent_switching_1.jpg\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_silent_switching_1.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_silent_switching_@2x_1.jpg 2x\" alt=\"\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/span\u003e\n\u003ch2\u003eQuickly access sounds with Live\/Preset modes, and play with silent switching, and true or trails bypass with spillover\u003csup\u003e*\u003c\/sup\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"features__item--with-image features__item--no-text\"\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cpicture\u003e\u003csource media=\"(max-width: 768px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_download_mob_@2x_1.jpg\"\u003e\u003csource media=\"(max-width: 769px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_download_1.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_download_@2x_1.jpg 2x\"\u003e\u003cimg src=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_download_1.jpg\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_download_1.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_download_@2x_1.jpg 2x\" alt=\"\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/span\u003e\n\u003ch2\u003eDownload additional vintage digital Chamber \u0026amp; Plate effect at product registration\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"features__item--with-image features__item--no-text\"\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cpicture\u003e\u003csource media=\"(max-width: 768px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_robust_mob_@2x_1.jpg\"\u003e\u003csource media=\"(max-width: 769px)\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_robust_1.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_robust_@2x_1.jpg 2x\"\u003e\u003cimg src=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_robust_1.jpg\" srcset=\"https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_robust_1.jpg 1x,https:\/\/media.uaudio.com\/assetlibrary\/u\/a\/uafx_features_icons_robust_@2x_1.jpg 2x\" alt=\"\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/span\u003e\n\u003ch2\u003eBuild your pedalboard around timeless UA design and robust craftsmanship, built to last decades\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eSpring 65: A Trio of Authentic Vintage Amp Reverbs\u003c\/h2\u003e\n\u003cp\u003eThe tube-driven spring reverb from classic '60s American guitar amps is a heavenly sound like no other. But no two spring reverb tanks sound alike. So we auditioned over two dozen tanks, ultimately handpicking and modeling three tanks from a trio of vintage amps. Unlike other spring reverb emulations, UA's \"whole amp\" approach faithfully captures each reverb circuit's unique tube clipping character. The end result is all the drip, clang, whistles, and overtones of real tube‑driven spring reverb.\u003c\/p\u003e\n\u003ch2\u003ePlate 140: A Classic Palette of Rich Studio Plates\u003c\/h2\u003e\n\u003cp\u003eThe dense, haunting sound of late-1950s studio plate reverb is integral to more than 60 years of classic recorded guitar tones. Golden Reverberator's three uniquely voiced plates — sourced from The Plant recording studio in Sausalito, California — frame your tones in hazy ambience as warm as the midday sun. Plus, you can easily add ripples of rich analog modulation to add texture.\u003c\/p\u003e\n\u003ch2\u003eHall 224: A World of Late-'70s Vintage Digital Ambience\u003c\/h2\u003e\n\u003cp\u003eIntroduced in the late 1970s, digital studio reverb allowed progressive guitarists to venture further into atmospheric exploration — fueling the platinum pop and alt‑rock guitar tones of the ‘80s, ‘90s, and beyond. Golden Reverberator's Hall 224 effect gives you the exact, bit-for-bit algorithms of a studio staple, with all of their lush, grainy trails and mesmerizing modulation textures.\u003c\/p\u003e\n\u003ch2\u003eDual Stereo Reverb Engines for Endless Creativity\u003c\/h2\u003e\n\u003cp\u003eBuilt from the ground up for UAFX, Golden Reverberator's powerful engine runs separate stereo instances of each reverb effect, thanks to its unique dual‑engine processing — giving you uncanny three‑dimensional, immersive soundscapes. This results in a stereo spread of complex, awe‑inspiring spatial textures, and seamless effect transitions with trails.\u003c\/p\u003e\n\u003ch2\u003eA State-of-the-Art Stompbox\u003c\/h2\u003e\n\u003cp\u003eWith modern, high-powered features like studio‑grade conversion, dual‑processing engines, additional downloadable effects, Live\/Preset modes, true\/buffered bypass\u003csup\u003e*\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ewith silent switching, effect trails, and analog dry through, Golden Reverberator radiates pure reverb perfection — in a beautiful stompbox that's built to last decades.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Product Info \u003cspan style=\"color: #2b00ff;\"\u003e\u003ca href=\"https:\/\/www.uaudio.com\/uafx\/golden-reverberator.html\" title=\"UA Pedals Golden Reverb\" style=\"color: #2b00ff;\" target=\"_blank\"\u003eHERE\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":39464485617735,"sku":"819937002854","price":569.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/3_acbe807b-38f1-4694-bed8-343a0f9b5709.png?v=1630062714"},{"product_id":"shins-music-dumbloid-twin","title":"Shin's Music Dumbloid Twin","description":"\u003cp\u003eThe apex of all Dumbloids.\u003c\/p\u003e\n\u003cp\u003eShin's Music Dumbloid Twin has two channels. Channel 1 is the \u003cspan style=\"text-decoration: underline; color: #2b00ff;\" data-mce-style=\"text-decoration: underline; color: #2b00ff;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.echoinox.com\/products\/shins-music-dumbloid-special\" title=\"Shin's Music Dumbloid Special\" style=\"color: #2b00ff; text-decoration: underline;\" data-mce-href=\"https:\/\/www.echoinox.com\/products\/shins-music-dumbloid-special\" target=\"_blank\" data-mce-style=\"color: #2b00ff; text-decoration: underline;\"\u003eDumbloid Special\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e and Channel 2 is the \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003ca href=\"https:\/\/www.echoinox.com\/products\/shins-music-dumbloid-overdrive\" title=\"Shin's Music Dumbloid ODS\" style=\"color: #2b00ff; text-decoration: underline;\" target=\"_blank\"\u003eDumbloid ODS\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e. Turn the pedal on with the DRV footswitch on the right and switch between channels with the footswitch on the left.\u003c\/p\u003e\n\u003cp\u003eEach channel has its set of independent controls - Drive, Accent, Tone, Volume and Rock\/Jazz Switch. The versatility is unparalleled. Switch between your clean tone (Channel 1, Special) and your lead tone (Channel 2, ODS) to cut through the mix easily.\u003c\/p\u003e\n\u003cp\u003eAlso the one that John Mayer used on his touring board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote: This is a custom model that we requested. NOT to be confused with the 'standard' Dumbloid Twins, which has Channel 1 \u0026amp; 2 both based on the \u003ca href=\"https:\/\/www.echoinox.com\/products\/shins-music-dumbloid-special\"\u003eDumbloid Special\u003c\/a\u003e. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe think it makes more sense to have the \u003cspan style=\"color: #2b00ff;\" data-mce-fragment=\"1\" data-mce-style=\"color: #2b00ff;\"\u003e\u003ca href=\"https:\/\/www.echoinox.com\/products\/shins-music-dumbloid-overdrive\" title=\"Shin's Music Dumbloid ODS\" style=\"color: #2b00ff; text-decoration: underline;\" data-mce-fragment=\"1\" data-mce-style=\"color: #2b00ff; text-decoration: underline;\" data-mce-href=\"https:\/\/www.echoinox.com\/products\/shins-music-dumbloid-overdrive\" target=\"_blank\"\u003eODS\u003c\/a\u003e \u003c\/span\u003eas the second channel to achieve a wider spectrum of tones, and we are confident you'll appreciate it too!\u003c\/strong\u003e\u003c\/p\u003e","brand":"Shin's Music","offers":[{"title":"Hammertone \/ Golden","offer_id":39492843601991,"sku":"SHIN002-DUMBTWIN","price":1288.0,"currency_code":"SGD","in_stock":false},{"title":"Hammertone \/ Silver","offer_id":39492843634759,"sku":"SHIN002-DUMBTWIN","price":1288.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/photo_2021-09-29_23-17-38.jpg?v=1632940034"},{"product_id":"drybell-vibe-machine-v3","title":"Drybell Vibe Machine V3","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eV-3 features the same options as the \u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.echoinox.com\/products\/drybell-vibe-machine-v-2?_pos=1\u0026amp;_sid=1a986d90c\u0026amp;_ss=r\" target=\"_blank\" title=\"Drybell Vibe Machine V2\" style=\"color: #2b00ff;\" rel=\"noopener noreferrer\"\u003eV-2\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e, so it’s basically the same product in the context of secondary options. However, we played around with the complex opto-system a lot. The main difference between V-3 and V-2 is in the modulation EQ. V-2 modulates just a slight part of the main tone (mid-range focused modulation), while V-3 blends in nicely with the main tone and modulates it without changing the EQ. V-3 has a wider modulation and brings more depth.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt’s hard to believe that 10 years has passed since we started our journey into the wonders of the beautiful Uni-Vibe. Looking back to the time when we started our experiments with that three-dimensional sound, everything was very different from today.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt was a simpler time in the pedal world. There were several big, well-known companies that produced most of the classic pedals and a handful of smaller boutique builders. At that time, most new pedals could easily get into the spotlight, to be explored and talked about. It was the beginning of a golden era for the world of guitar pedals. Back then, only a few Uni-Vibe clones existed, most following the same circuit recipe as that used by the wonderful Shin-Ei, they were mostly big, bulky and rather expensive.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen we decided to take a shot with our Uni-Vibe, we wanted something different and more practical. We wanted\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Sound\u003c\/em\u003e, but we also wanted to make ours much smaller than any other Uni-Vibe on the market. In 2011, when the Vibe Machine V-1 was born, it was the smallest ever photocell-based Vibe pedal in the World retaining all the features of the classic Uni-Vibe. People loved it, and they still do.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA few years later, after extensive development, with tons of new experience, and with feedback gathered from our amazing customers, forum members, reviewers, demo guys and fellow musicians, the Vibe Machine V-2 arrived. It looked very similar to its predecessor, but it was much more complex under the hood. Besides all those added features,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Sound\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas greater than ever and it rocked the vibe community around the world! As one of the best Uni-Vibe effects available today, the Vibe Machine has received many awards from the Music Industry and we’re extremely proud of it!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe V-3 version\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeveral months ago, we wanted to find a special way to celebrate our upcoming 10 Year Anniversary and we decided to pull out our Vibe Machine breadboard. We played extensively with the complex opto-system and one specific setting sounded out of this world. We tried tons of different settings, but we kept on coming back to this particular one.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt was like re-mixing your greatest album. You know it’s great, but you wanted to add some magic touches to make it even more special. We didn’t expect that our breadboard experiment would result in a completely new version of our Vibe Machine, but this one is really something else and we couldn’t just keep it to ourselves. We wanted to share it with the World.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eV-3 has its own colorful magic going on. Is it better than its predecessors? With such a unique sound presence, it’s really a matter of personal taste. V-3 is simply different and it sounds beautiful.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe main difference between V-3 and V-2 is in the modulation EQ. V-2 modulates just a slight part of your main tone (mid-range focused modulation), while V-3 blends in nicely with your main tone and modulates it without changing the EQ. V-3 has a wider modulation and brings you more depth. The Intensity’s character has also changed.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg loading=\"lazy\" class=\"alignnone size-full wp-image-6386\" src=\"http:\/\/drybell.com\/wp-content\/uploads\/2021\/09\/V3_2.jpg\" alt=\"\" width=\"620\" height=\"411\" srcset=\"http:\/\/drybell.com\/wp-content\/uploads\/2021\/09\/V3_2.jpg 620w, http:\/\/drybell.com\/wp-content\/uploads\/2021\/09\/V3_2-300x199.jpg 300w\" sizes=\"(max-width: 620px) 100vw, 620px\" data-mce-fragment=\"1\" data-mce-src=\"http:\/\/drybell.com\/wp-content\/uploads\/2021\/09\/V3_2.jpg\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAdditional options\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eV-3 features the same versatile custom sound options as V-2. There are 6 ‘\u003cstrong data-mce-fragment=\"1\"\u003eset and forget\u003c\/strong\u003e’ side trimmers: CHORUS, GRIT, CUSTOM, SYM, RANGE and VOLUME. All these controls come with initial factory settings. Check the manual in the support tab for more detailed descriptions, but to begin playing you don’t need the manual or to adjust anything, just plug in and enjoy!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe CHORUS trimmer adjusts the depth of vibe modulation so the user can adjust the swirl\/watery\/chewy character of the Chorus sound. The CHORUS trimmer also affects the low end frequencies of the Chorus throb.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith GRIT you can set the overall brightness, it acts as a low pass passive tone control and also defines the output impedance. Try a fuzz\/dirt pedal or just an amp after the V-3 and with GRIT you can find your tonal sweet spot with whatever is next in chain.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe CUSTOM trimmer adjusts the input impedance when the three way ORIGINAL\/BRIGHT\/CUSTOM switch is set to the CUSTOM position. If you switch guitars on stage, sometimes you may want to flip this switch to balance your guitar’s brightness.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe SYM and RANGE define the light bulb bias and character\/response of the Vibe movement.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the VOLUME trimmer at its maximum setting, it boosts your volume above and beyond unity gain.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe V-3 can be used with any passive expression pedal with a linear pot. Also, the V-3 has several functions that are controllable with the DryBell F-1L footswitch or any other simple footswitch. With the footswitch you can engage the CANCEL function, TAP TEMPO feature, Fast\/Slow with adjustable Leslie® ramp delay or a Two speed function.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCANCEL function – Just like on an original Uni-Vibe®, a warm \u0026amp; darker sounding preamp (Cancel on original Uni-Vibe®) is available using an expression pedal. Please refer to the Options manual for more information.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJust like on V-2, there are a couple of ‘set and forget’ options like different footswitch type compatibility, expression pedal pot taper adjustment and more. Check the V-3 options manual to see all of its features.\u003c\/p\u003e","brand":"Drybell","offers":[{"title":"Default Title","offer_id":39532721832007,"sku":"DRYBELL001-VIBEMV3","price":448.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/18_e313d8e4-9248-4eb9-aa61-078973d27cdc.png?v=1637590409"},{"product_id":"jhs-prestige","title":"JHS Prestige","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals Prestige is a booster\/buffer\/enhancer that will give you that “something”, the magic that you’ve been looking for. In a simple package, the Prestige can be used as an always-on preamp or buffer, or you can crank it up to send your amp into a natural overdrive that will dazzle audiences far and wide.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Prestige features one knob for volume. In the first 25%, you have a natural buffer\/enhancer that is great for long cable runs or just to add a touch of brightness to your signal. At 25% to 75% the Prestige becomes a volume boost to give you a nice push for solos or to put in front of an overdrive to create more saturation. Above 75% and you’ll be sending your amp into a meaty natural breakup by pushing the tubes on your amp. This can be used as a first stage overdrive or a second stage to maintain your other overdrives’ tone while giving more of everything you love.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- One knob that has plenty of tricks up its sleeve\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Buffer\/Enhancer for long cable runs or an always-on preamp\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Booster for solos, saturating another overdrive or overdriving your amp\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Rebranded from the Mr. Magic. Smaller enclosure.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 7mA, AND MEASURES 3.6\" x 1.5\" x 1\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39702902997063,"sku":"650415211166","price":208.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/Prestigeedited.jpg?v=1656439724"},{"product_id":"jhs-bonsai-9-in-1-tubescreamer","title":"JHS Bonsai 9-in-1 Tubescreamer","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFollowing in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications. At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal. One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box! The Bonsai is exact replication, not emulation. When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eLETS TAKE A LOOK AT THE 9 MODES OF THE BONSAI BASED ON THE 9 PEDALS WE HAVE CHOSEN...\u003c\/h2\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eOD-1 - 1977\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTS-808 - 1979\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTS-9 - 1982\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eMSL, POWER OR L SERIES - 1985\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThough metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of. Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTS-10 - 1986\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eEXAR OD-1 1989\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTS-7 (+MODE) - 1999\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eKEELEY MOD PLUS - 2002\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eJHS STRONG MOD - 2008\u003c\/h3\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOur own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 20 MA, AND MEASURES 2.6\"X4.8\"X1.6\".\u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTHE WORDS IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, AND KEELEY, AUDIO PRECISION MAY BE REGISTERED TRADEMARKS. THE JHS PEDALS BONSAI IS IN NO WAY AFFILIATED OR ENDORSED BY IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, KEELEY, AND AUDIO PRECISION.\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":39706532642887,"sku":"650415211890","price":368.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2221\/6669\/products\/BonsaiEdited1.jpg?v=1656748890"}],"url":"https:\/\/www.echoinox.com\/collections\/as-seen-on-john-mayers-board\/effects_distortion.oembed","provider":"Echoinox","version":"1.0","type":"link"}